VINTAGE DISNEY STORAGE BOX & LID 4 Cardboard Boxes mickey minnie rare 80s 90s

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Seller: sidewaysstairsco ✉️ (1,180) 100%, Location: Santa Ana, California, US, Ships to: US & many other countries, Item: 203037043009 VINTAGE DISNEY STORAGE BOX & LID 4 Cardboard Boxes mickey minnie rare 80s 90s. Check out our other new & used items>>>>>HERE! (click me) FOR SALE: Vintage cardboard boxes featuring your favorite Disney characters  4 MICKEY & FRIENDS STORAGE BOXES WITH LIDS BY WHITNEY DETAILS: Storage boxes with a magical theme! These vintage, cardboard storage boxes have a delightful design that features the famous mouse himself and his friends Minnie, Goofy, Pluto, and Donald Duck. Each storage box includes a lid to keep your items safe and hole style handles to make carrying easy. There's no printed manufactured date but because this is a The Walt Disney Company (name change in '86) product we know this was made sometime in the late 1980s or even early 1990s.  Dimensions: Each assembled box is 24" x 13" x 11" Makes a great gift for Disney item collectors and enthusiasts especially those who just love Mickey and his close friends! CONDITION: New old stock. Unused and sealed. Each box has some kind of light wear from storage and age. There's very small light spots (appears to be foxing), some indents, light debris under the shrink wrap, and some corner wear. Please see photos.      THANK YOU FOR LOOKING. QUESTIONS? JUST ASK. *ALL PHOTOS AND TEXT ARE INTELLECTUAL PROPERTY OF SIDEWAYS STAIRS CO. ALL RIGHTS RESERVED.* "The Walt Disney Company, commonly known as Disney (/ˈdɪzni/),[3] is an American diversified multinational mass media and entertainment conglomerate headquartered at the Walt Disney Studios complex in Burbank, California. Disney was originally founded on October 16, 1923, by brothers Walt and Roy O. Disney as the Disney Brothers Cartoon Studio; it also operated under the names The Walt Disney Studio and Walt Disney Productions before officially changing its name to The Walt Disney Company in 1986. The company established itself as a leader in the American animation industry before diversifying into live-action film production, television, and theme parks. Since the 1980s, Disney has created and acquired corporate divisions in order to market more mature content than is typically associated with its flagship family-oriented brands. The company is known for its film studio division, The Walt Disney Studios, which includes Walt Disney Pictures, Walt Disney Animation Studios, Pixar, Marvel Studios, Lucasfilm, 20th Century Studios, Searchlight Pictures, and Blue Sky Studios. Disney's other main units and reporting segments are Disney Media Networks, Disney Parks, Experiences and Products, and Walt Disney Direct-to-Consumer & International. Through these segments, Disney owns and operates the ABC broadcast network; cable television networks such as Disney Channel, ESPN, Freeform, FX, and National Geographic; publishing, merchandising, music, and theater divisions; and Disney Parks, Experiences and Products, a group of 14 theme parks around the world.[4][5] The company has been a component of the Dow Jones Industrial Average since 1991. Cartoon character Mickey Mouse, created in 1928 by Walt Disney and Ub Iwerks, is one of the world's most recognizable characters and serves as the company's official mascot.... Corporate history See also: Timeline of The Walt Disney Company 1923–1928: Founding and silent film era The building in the Los Angeles neighborhood of Los Feliz which was home to the studio from 1923 to 1926.[6] In early 1923, Kansas City, Missouri, animator Walt Disney created a short film entitled Alice's Wonderland, which featured child actress Virginia Davis interacting with animated characters. After the bankruptcy in 1923 of his previous firm, Laugh-O-Gram Studio,[ChWDC 1] Disney moved to Hollywood to join his brother, Roy O. Disney. Film distributor Margaret J. Winkler of M.J. Winkler Productions contacted Disney with plans to distribute a whole series of Alice Comedies purchased for $1,500 per reel with Disney as a production partner. Walt and Roy Disney formed Disney Brothers Cartoon Studio that same year. More animated films followed after Alice.[7] In January 1926, with the completion of the Disney studio on Hyperion Street, the Disney Brothers Studio's name was changed to the Walt Disney Studio.[ChWDC 2] After the demise of the Alice comedies, Disney developed an all-cartoon series starring a character named Oswald the Lucky Rabbit.[7] The series was produced by Winkler Pictures and distributed by Universal Pictures.[ChWDC 2] Universal owned Oswald, so Disney only made a few hundred dollars.[7] Disney completed 27 Oswald shorts before losing the contract in March 1928, when Winkler head Charles Mintz hired away four of Disney's primary animators (the exception being Ub Iwerks) to start his own animation studio, Snappy Comedies.[ChWDC 3] 1928–1934: Mickey Mouse and Silly Symphonies In 1928, to recover from the loss of Oswald the Lucky Rabbit, Disney came up with the idea of a mouse character named Mortimer while on a train headed to California, drawing up a few simple drawings. The mouse was later renamed Mickey Mouse (Disney's wife, Lillian, disliked the sound of 'Mortimer Mouse') and starred in several Disney produced films. Ub Iwerks refined Disney's initial design of Mickey Mouse.[7] Disney's first sound film Steamboat Willie, a cartoon starring Mickey, was released on November 18, 1928[ChWDC 3] through Pat Powers' distribution company.[7] It was the first Mickey Mouse sound cartoon released, but the third to be created, behind Plane Crazy and The Gallopin' Gaucho.[ChWDC 4] Steamboat Willie was an immediate smash hit, and its initial success was attributed not just to Mickey's appeal as a character, but to the fact that it was the first cartoon to feature synchronized sound.[7] Disney used Pat Powers' Cinephone system, created by Powers using Lee de Forest's Phonofilm system.[ChWDC 4] Steamboat Willie premiered at B. S. Moss's Colony Theater in New York City, now The Broadway Theatre.[8] Disney's Plane Crazy and The Gallopin' Gaucho were then retrofitted with synchronized sound tracks and re-released successfully in 1929.[ChWDC 4] Disney continued to produce cartoons with Mickey Mouse and other characters,[7] and began the Silly Symphony series with Columbia Pictures signing on as Symphonies distributor in August 1929. In September 1929, theater manager Harry Woodin requested permission to start a Mickey Mouse Club, which Walt approved. In November, test comics strips were sent to King Features, who requested additional samples to show to the publisher, William Randolph Hearst. On December 16, the Walt Disney Studios partnership was reorganized as a corporation with the name of Walt Disney Productions, Limited with a merchandising division, Walt Disney Enterprises, and two subsidiaries, Disney Film Recording Company, Limited and Liled Realty and Investment Company for real estate holdings. Walt and his wife held 60 percent (6,000 shares) and Roy owned 40 percent of WD Productions. On December 30, King Features signed its first newspaper, New York Mirror, to publish the Mickey Mouse comic strip with Walt's permission.[ChWDC 5] In 1932, Disney signed an exclusive contract with Technicolor (through the end of 1935) to produce cartoons in color, beginning with Flowers and Trees (1932). Disney released cartoons through Powers' Celebrity Pictures (1928–1930), Columbia Pictures (1930–1932), and United Artists (1932–1937).[9] The popularity of the Mickey Mouse series allowed Disney to plan for his first feature-length animation.[7] The feature film Walt Before Mickey, based on the book by Diane Disney Miller, featured these moments in the studio's history.[10] 1934–1950: Snow White and the Seven Dwarfs, World War II, and package films The original Animation Building at the Walt Disney Studios. Deciding to push the boundaries of animation even further, Disney began production of his first feature-length animated film in 1934. Taking three years to complete, Snow White and the Seven Dwarfs, premiered in December 1937 and by 1939 became the highest-grossing film of that time.[11] Snow White was released through RKO Radio Pictures, which had assumed distribution of Disney's product in July 1937,[ChWDC 6] after United Artists attempted to attain future television rights to the Disney shorts.[12] Using the profits from Snow White, Disney financed the construction of a new 51-acre (210,000 m2) studio complex in Burbank, California. The new Walt Disney Studios, in which the company is headquartered to this day, was completed and open for business by the end of 1939.[ChWDC 7] The following year on April 2, Walt Disney Productions had its initial public offering.[ChWDC 8][13] The studio continued releasing animated shorts and features, such as Pinocchio (1940), Fantasia (1940), Dumbo (1941), and Bambi (1942).[7] After World War II began, box office profits declined. When the United States entered the war after the attack on Pearl Harbor, many of Disney's animators were drafted into the armed forces. The U.S. and Canadian governments commissioned the studio to produce training and propaganda films. By 1942, 90 percent of its 550 employees were working on war-related films.[14] Films such as the feature Victory Through Air Power and the short Education for Death (both 1943) were meant to increase public support for the war effort. Even the studio's characters joined the effort, as Donald Duck appeared in a number of comical propaganda shorts, including the Academy Award-winning Der Fuehrer's Face (1943). With limited staff and little operating capital during and after the war, Disney's feature films during much of the 1940s were "package films", or collections of shorts, such as The Three Caballeros (1944) and Melody Time (1948), which performed poorly at the box office. At the same time, the studio began producing live-action films and documentaries. Song of the South (1946) and So Dear to My Heart (1948) featured animated segments, while the True-Life Adventures series, which included such films as Seal Island (1948) and The Vanishing Prairie (1954), were also popular. Eight of the films in the series won Academy Awards.[15] 1950–1966: Television, Disneyland, and Walt Disney's death The release of Cinderella in 1950 proved that feature-length animation could still succeed in the marketplace. Other releases of the period included Alice in Wonderland (1951) and Peter Pan (1953), both in production before the war began, and Disney's first all-live action feature, Treasure Island (1950). Other early all-live-action Disney films included The Story of Robin Hood and His Merrie Men (1952), The Sword and the Rose (1953), and 20,000 Leagues Under the Sea (1954). Disney ended its distribution contract with RKO in 1953, forming its own distribution arm, Buena Vista Distribution.[16] Walt Disney at the grand opening of Disneyland, July 1955. In December 1950, Walt Disney Productions and the Coca-Cola Company teamed up for Disney's first venture into television, the NBC television network special One Hour in Wonderland. In October 1954, the ABC network launched Disney's first regular television series. In 1954, Walt Disney used his Disneyland series to unveil what would become Disneyland, an idea conceived out of a desire for a place where parents and children could both have fun at the same time. On July 18, 1955, Walt Disney opened Disneyland to the general public. On July 17, 1955, Disneyland was previewed with a live television broadcast hosted by Robert Cummings, Art Linkletter and Ronald Reagan. After a shaky start, Disneyland continued to grow and attract visitors from across the country and around the world. A major expansion in 1959 included the addition of America's first monorail system. For the 1964 New York World's Fair, Disney prepared four separate attractions for various sponsors, each of which would find its way to Disneyland in one form or another. During this time, Walt Disney was also secretly scouting out new sites for a second Disney theme park. In November 1965, "Disney World" was announced, with plans for theme parks, hotels, and even a model city on thousands of acres of land purchased outside of Orlando, Florida.[17] Disney continued to focus its talents on television throughout the 1950s. Its weekday afternoon children's television program The Mickey Mouse Club, featuring its roster of young "Mouseketeers", premiered in 1955 to great success, as did the Davy Crockett miniseries, starring Fess Parker and broadcast on the Disneyland anthology show.[7] Two years later, the Zorro series would prove just as popular, running for two seasons on ABC.[18] Despite such success, Walt Disney Productions invested little into television ventures in the 1960s,[citation needed] with the exception of the long-running anthology series, later known as The Wonderful World of Disney.[7] Disney's film studios stayed busy as well, averaging five or six releases per year during this period. While the production of shorts slowed significantly during the 1950s and 1960s, the studio released a number of popular animated features, like Lady and the Tramp (1955), Sleeping Beauty (1959) and One Hundred and One Dalmatians (1961), which introduced a new xerography process to transfer the drawings to animation cels.[19] Disney's live-action releases were spread across a number of genres, including historical fiction (Johnny Tremain, 1957), adaptations of children's books (Pollyanna, 1960) and modern-day comedies (The Shaggy Dog, 1959). Disney's most successful film of the 1960s was a live action/animated musical adaptation of Mary Poppins, which was one of the all-time highest-grossing movies[7] and received five Academy Awards, including Best Actress for Julie Andrews and Best Song for Robert B. Sherman & Richard M. Sherman for "Chim Chim Cher-ee".[20] The theme park design and architectural group became so integral to the Disney studio's operations that the studio bought it on February 5, 1965, along with the WED Enterprises name.[21][22][23][24] On December 15, 1966, Walt Disney died of complications relating to lung cancer,[7] marking the end of an era for the company. 1966–1984: Roy O. Disney's leadership and death, Walt Disney World, Tatum, Walker, and Miller's leaderships, and theatrical malaise Following Walt's death, Roy O. Disney took over as chairman, CEO, and president of the company. One of his first acts was to rename Disney World as "Walt Disney World" in honor of his brother and his vision.[25] In 1967, the last two films Walt actively supervised were released, the animated feature The Jungle Book[7] and the musical The Happiest Millionaire.[26] The studio released a number of comedies in the late 1960s, including The Love Bug (1969's highest-grossing film)[7] and The Computer Wore Tennis Shoes (1969), which starred another young Disney discovery, Kurt Russell. The 1970s opened with the release of Disney's first "post-Walt" animated feature, The Aristocats, followed by a return to fantasy musicals in 1971's Bedknobs and Broomsticks.[7] Blackbeard's Ghost was another successful film during this period.[7] On October 1, 1971, Walt Disney World opened to the public, with Roy Disney dedicating the facility in person later that month. On December 20, 1971, Roy O. Disney died of a stroke. He left the company under the control of Donn Tatum, Card Walker, and Walt's son-in-law Ron Miller, each trained by Walt and Roy. While Walt Disney Productions continued releasing family-friendly films throughout the 1970s, such as Escape to Witch Mountain (1975)[7] and Freaky Friday (1976), the films did not fare as well at the box office as earlier material. However, the animation studio saw success with Robin Hood (1973), The Rescuers (1977), and The Fox and the Hound (1981). As head of the studio, Miller attempted to make films to drive the profitable teenage market who generally passed on seeing Disney films.[27] Inspired by the popularity of Star Wars, Disney produced the science-fiction adventure The Black Hole in 1979; it cost $20 million to make, but was lost in Star Wars' wake.[7] The Black Hole was the first Disney film to carry a PG rating in the United States.[27][N 1] Disney dabbled in the horror genre with The Watcher in the Woods, and financed the boldly innovative Tron; both films were released to minimal success.[7] Disney also hired outside producers for film projects, which had never been done before in the studio's history.[27] In 1979, Disney entered a joint venture with Paramount Pictures on the production of the 1980 film adaptation of Popeye and Dragonslayer (1981); the first time Disney collaborated with another studio. Paramount distributed Disney films in Canada at the time, and it was hoped that Disney's marketing prestige would help sell the two films.[27] Finally, in 1982, the Disney family sold the naming rights and rail-based attractions to the Disney film studio for 818,461 shares of Disney stock then worth $42.6 million none of which went to Retlaw. Also, Roy E. Disney objected to the overvalued purchase price of the naming right and voted against the purchase as a Disney board director.[28] The 1983 release of Mickey's Christmas Carol began a string of successful movies, starting with Never Cry Wolf and the Ray Bradbury adaptation Something Wicked This Way Comes.[7] The Walt Disney Productions film division was incorporated on April 1, 1983 as Walt Disney Pictures.[29] In 1984, Disney CEO Ron Miller created Touchstone Films as a brand for Disney to release more major motion pictures. Touchstone's first release was the comedy Splash (1984), which was a box office success.[30] With The Wonderful World of Disney remaining a prime-time staple, Disney returned to television in the 1970s with syndicated programming such as the anthology series The Mouse Factory and a brief revival of the Mickey Mouse Club. In 1980, Disney launched Walt Disney Home Video to take advantage of the newly emerging videocassette market. On April 18, 1983, The Disney Channel debuted as a subscription-level channel on cable systems nationwide, featuring its large library of classic films and TV series, along with original programming and family-friendly third-party offerings. Epcot opened in October 1982. Walt Disney World received much of the company's attention through the 1970s and into the 1980s. In 1978, Disney executives announced plans for the second Walt Disney World theme park, EPCOT Center, which would open in October 1982. Inspired by Walt Disney's dream of a futuristic model city, EPCOT Center was built as a "permanent World's Fair", complete with exhibits sponsored by major American corporations, as well as pavilions based on the cultures of other nations. In Japan, The Oriental Land Company partnered with Walt Disney Productions to build the first Disney theme park outside of the United States, Tokyo Disneyland, which opened in April 1983. Despite the success of the Disney Channel and its new theme park creations, Walt Disney Productions was financially vulnerable. Its film library was valuable, but offered few current successes, and its leadership team was unable to keep up with other studios, particularly the works of Don Bluth, who defected from Disney in 1979. By the early 1980s, the parks were generating 70 percent of Disney's income.[7] In 1984, financier Saul Steinberg's Reliance Group Holdings launched a hostile takeover bid for Walt Disney Productions,[7] with the intent of selling off some of its operations.[31] Disney bought out Reliance's 11.1% stake in the company. However, another shareholder filed suit claiming the deal devaluated Disney's stock and for Disney management to retain their positions. The shareholder lawsuit was settled in 1989 for a total of $45 million from Disney and Reliance.[7] Likewise in 1984, MCA (then-parent company of Universal Studios) actually struck a deal with Disney to purchase the company on the condition insisted by the Disney family that Disney CEO Ron W. Miller be MCA president, but disagreements between MCA chairman Lew Wasserman and Disney over the condition caused the agreement to fall through completely.[32] 1984–2005: Michael Eisner's leadership, Disney Renaissance, and "Save Disney" campaign See also: Timeline of The Walt Disney Company § 1984–2004 With the Sid Bass family purchase of 18.7 percent of Disney, Bass and the board brought in Michael Eisner from Paramount as CEO and Frank Wells from Warner Bros. as president. Eisner emphasized Touchstone, with Down and Out in Beverly Hills (1985) leading to increased output with Good Morning, Vietnam (1987), Dead Poets Society (1989), Pretty Woman (1990) and additional hits. Eisner used expanding cable and home video markets to sign deals using Disney shows and films, making a long-term deal with Showtime Networks for Disney/Touchstone releases through 1996 and entering television with syndication and distribution for TV series such as The Golden Girls and Home Improvement. Disney began limited releases of its previous films on video tapes in the late 1980s. Eisner's Disney purchased KHJ, an independent Los Angeles TV station.[7] Organized in 1985, Silver Screen Partners II, LP financed films for Disney with $193 million. In January 1987, Silver Screen III began financing movies for Disney with $300 million raised, the largest amount raised for a film financing limited partnership by E.F. Hutton.[33] Silver Screen IV was also set up to finance Disney's studios.[34] Buoyed by the success of Who Framed Roger Rabbit in 1988, Disney's flagship animation studio enjoyed a series of commercial and critical successes known as the Disney Renaissance, with such films as The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and The Lion King (1994). In addition, the company successfully entered the field of television animation with a number of lavishly-budgeted and acclaimed series such as Adventures of the Gummi Bears, DuckTales, Chip 'n Dale: Rescue Rangers, Darkwing Duck, TaleSpin, Bonkers and Gargoyles.[35] Disney moved to first place in box office receipts by 1988 and had increased revenues by 20 percent every year.[7] In 1989, Disney signed an agreement-in-principle to acquire Jim Henson Productions from its founder, Muppet creator Jim Henson. The deal included Henson's programming library and Muppet characters (excluding the Muppets created for Sesame Street), as well as Jim Henson's personal creative services. However, Henson died suddenly in May 1990 before the deal was completed, resulting in the two companies terminating merger negotiations the following December.[36] Named the "Disney Decade" by the company, the executive talent attempted to move the company to new heights in the 1990s with huge changes and accomplishments.[7] In September 1990, Disney arranged for financing up to $200 million by a unit of Nomura Securities for Interscope films made for Disney. On October 23, Disney formed Touchwood Pacific Partners which would supplant the Silver Screen Partnership series as their movie studios' primary source of funding.[34] In 1991, hotels, home video distribution, and Disney merchandising became 28 percent of total company revenues while international revenues contributed 22 percent of total revenues. The company committed its studios in the first quarter of 1991 to produce 25 films in 1992. However, 1991 saw net income drop by 23 percent and had no growth for the year, but saw the release of Beauty and the Beast, winner of two Academy Awards and top-grossing film in the genre. Disney next moved into publishing with Hyperion Books and adult music with Hollywood Records while Walt Disney Imagineering was laying off 400 employees.[7] Disney also broadened its adult offerings in film when then-Disney Studio Chairman Jeffrey Katzenberg acquired Miramax Films in 1993. That same year Disney created the NHL team the Mighty Ducks of Anaheim, named after the 1992 hit film of the same name. Disney purchased a minority stake in the Anaheim Angels baseball team around the same time.[7] Wells was killed in a helicopter crash in 1994.[7] Shortly thereafter, Katzenberg resigned and formed DreamWorks SKG because Eisner would not appoint Katzenberg to Wells' now-available post (Katzenberg had also sued over the terms of his contract).[7] Instead, Eisner recruited his friend Michael Ovitz, one of the founders of the Creative Artists Agency, to be President, with minimal involvement from Disney's board of directors (which at the time included Oscar-winning actor Sidney Poitier, Hilton Hotels Corporation CEO Stephen Bollenbach, former U.S. Senator George Mitchell, Yale dean Robert A. M. Stern, and Eisner's predecessors Raymond Watson and Card Walker). Ovitz lasted only 14 months and left Disney in December 1996 via a "no fault termination" with a severance package of $38 million in cash and 3 million stock options worth roughly $100 million at the time of Ovitz's departure. The Ovitz episode engendered a long-running derivative suit, which finally concluded in June 2006, almost 10 years later. Chancellor William B. Chandler III of the Delaware Court of Chancery, despite describing Eisner's behavior as falling "far short of what shareholders expect and demand from those entrusted with a fiduciary position..." found in favor of Eisner and the rest of the Disney board because they had not violated the letter of the law (namely, the duty of care owed by a corporation's officers and board to its shareholders).[37] Eisner later said, in a 2016 interview with The Hollywood Reporter, that he regretted letting Ovitz go.[38] Celebration Florida A view of downtown Celebration, Florida, a community that was planned by the Walt Disney Company. In 1994, Eisner attempted to purchase NBC from General Electric (GE), but the deal failed due to GE wanting to keep 51 percent ownership of the network. On August 1, 1995, Disney announced they would acquire and merge with Capital Cities/ABC Inc. for $19 billion, which at the time was the second largest corporate takeover. The merger would bring broadcast network ABC and its assets, including a 37.5% minority stake in A&E Television Networks, an 80 percent majority stake in ESPN and the Limited Partnership-ran DIC Productions into the Disney umberella.[7] The deal was closed on February 10, 1996, and Eisner felt that the purchase of ABC was an important investment to keep Disney surviving and allowing it to compete with international multimedia conglomerates.[39] Disney lost a $10.4 million lawsuit in September 1997 to Marsu B.V. over Disney's failure to produce as contracted 13 half-hour Marsupilami cartoon shows. Instead, Disney felt other internal "hot properties" deserved the company's attention.[40] Disney, which had taken control of the Anaheim Angels in 1996, purchased a majority stake in the team in 1998. That same year, Disney began a move into the internet field with the purchase of Starwave and 43 percent of Infoseek. In 1999, Disney purchased the remaining shares of Infoseek and launched the Go Network portal in January. Disney also launched its cruise line with the christening of Disney Magic and a sister ship, Disney Wonder.[7] The Katzenberg case dragged on as his contract included a portion of the film revenue from ancillary markets forever. Katzenberg had offered $100 million to settle the case, but Eisner felt the original claim amount of about half a billion too much, but then the ancillary market clause was found. Disney lawyers tried to indicate a decline situation which reveal some of the problems in the company. ABC had declining rating and increasing costs while the film segment had two film failures. While neither party revealed the settlement amount, it is estimated at $200 million.[7] The Disney Magic of the Disney Cruise Line at Cabo San Lucas, Mexico. Eisner's controlling style inhibited efficiency and progress according to some critics, while other industry experts indicated that "age compression" theory led to a decline in the company's target market due to youth copying teenage behavior earlier.[7] The year 2000 brought an increase in revenue of 9 percent and net income of 39 percent with ABC and ESPN leading the way and Parks and Resorts marking its sixth consecutive year of growth. In November 2000, Andy Heyward purchased back DIC Entertainment from Disney (through investment by Bain Capital and Chase Capital Partners) and making the studio re-independent.[41] On July 23, 2001, Disney announced to purchase Fox Family Worldwide for $2.9 billion cash plus $2.3 billion in debt assumption, which would include ownership in the Fox Family channel alongside other assets including the Saban Entertainment library and Fox Kids channels in Europe and Latin America.[42] The purchase was completed on October 24, 2001 and Fox Family would be renamed to ABC Family in November. The year 2001 was one of cost cutting, laying off 4,000 employees, Disney parks operations decreased, slashing annual live-action film investment, and minimizing Internet operations, mainly due to the September 11 attacks, which led to a decline in vacation travel and the early 2000s recession led to a decrease in ABC revenue. While 2002 revenue had a small decrease from 2001 with the cost cutting, net income rose to $1.2 billion with two creative film releases. In 2003, Disney became the first studio to record over $3 billion in worldwide box office receipts.[7] Eisner did not want the board to renominate Roy E. Disney, the son of Disney co-founder Roy O. Disney, as a board director citing his age of 72 as a required retirement age. Stanley Gold responded by resigning from the board and requesting the other board members oust Eisner.[7] On November 30, 2003, Disney resigned from his positions as the company's vice chairman and chairman of Walt Disney Feature Animation,[ChWDC 9] accusing Eisner of micromanagement, failures with the ABC television network, timidity in the theme park business, turning The Walt Disney Company into a "rapacious, soul-less" company, and refusing to establish a clear succession plan, as well as a string of box office film flops starting in the year 2000. On August 9, 2002, Disney said it was expressing great interest in buying Universal Studios whose parent company Vivendi started a bidding war after inheriting $17.9 billion in debt by its purchase of the famed major film studio from Seagram for $34 billion.[43] In addition, Universal Orlando's Islands of Adventure was struggling to deal with catastrophically low attendance since the park's opening in 1999, and the September 11 attacks in 2001 caused a dip of Universal Parks and Resorts' tourism attendance worldwide. As a result, Vivendi lacked the interest in investing in the Universal parks more meaningfully and may have been one of the reasons for selling off Universal.[44] Analysts speculated that Universal would have to be available at a bargain price to justify such a deal. "Owning more theme parks could make Disney even more cyclical because that's a cyclical business," said Katherine Styponias of Prudential Securities.[43] Despite this, Disney didn't succeed in pursuing a takeover for various reasons, owing to its stock price at a 52-week-low and the likelihood of the Disney/Universal deal being blocked on antitrust grounds (e.g. less innovation in theme parks, higher prices for hotel rooms, growing power of box office market share, etc.).[44] On May 15, 2003, Disney sold their stake in the Anaheim Angels baseball team to Arte Moreno. Disney purchased the rights to The Muppets and the Bear in the Big Blue House franchises from The Jim Henson Company on February 17, 2004.[45] The two brands were placed under control of the Muppets Holding Company, LLC, a unit of Disney Consumer Products.[46] In 2004, Pixar Animation Studios began looking for another distributor after its 12-year contract with Disney ended, due to its strained relationship over issues of control and money with Eisner. Also that year, Comcast Corporation made an unsolicited $54 billion bid to acquire Disney. A couple of high budget films flopped at the box office. With these difficulties and with some board directors dissatisfied, Eisner ceded the board chairmanship.[7] On March 3, 2004, at Disney's annual shareholders' meeting, a surprising 45 percent of Disney's shareholders, predominantly rallied by former board members Roy Disney and Stanley Gold, withheld their proxies to re-elect Eisner to the board. Disney's board then gave the chairmanship position to Mitchell. However, the board did not immediately remove Eisner as chief executive.[ChWDC 10] In February 2005, Disney sold the Mighty Ducks of Anaheim hockey team to Henry and Susan Samueli, who later renamed the team the Anaheim Ducks.[7] On March 13, 2005, Robert A. Iger was announced as Eisner's successor as CEO. Also that month, Miramax co-founders Bob Weinstein and Harvey Weinstein departed the company to form their own studio. On July 8, Walt Disney's nephew, Roy E. Disney, returned to the company as a consultant and as non-voting director emeritus. Walt Disney Parks and Resorts celebrated the 50th anniversary of Disneyland Park on July 17 and opened Hong Kong Disneyland on September 12. On July 25, Disney announced that it was closing DisneyToon Studios Australia in October 2006 after 17 years of existence.[47] On September 30, Eisner resigned both as an executive and as a member of the Board of Directors.[ChWDC 11] 2005–2020: Bob Iger's leadership and company expansion See also: Acquisition of 21st Century Fox by Disney Team Disney Burbank, which houses the offices of Disney's CEO and several other senior corporate officials On October 1, 2005, Bob Iger replaced Eisner as Disney's CEO. On November 4, Walt Disney Feature Animation released Chicken Little, the company's first film using 3D animation. On January 23, 2006, it was announced that Disney would purchase Pixar in an all-stock transaction valued at $7.4 billion. The deal was finalized on May 5; Steve Jobs, who was Pixar's CEO and held a 50.1% ownership stake in the company, transitioned to Disney's board of directors as its largest individual shareholder, with a 7 percent stake.[48][49] Ed Catmull took over as President of Pixar Animation Studios. Former executive vice-president of Pixar, John Lasseter, became chief creative officer of Walt Disney Animation Studios, its division Disneytoon Studios, and Pixar Animation Studios, as well as assuming the role of principal creative advisor at Walt Disney Imagineering.[49] In February 2006, Disney acquired the rights to Oswald the Lucky Rabbit from NBC Universal (including the character's intellectual property and the 27 Oswald cartoons produced by Walt Disney) as part of an exchange of minor assets. In return, Disney released sportscaster Al Michaels from his contracts with ABC Sports and ESPN, so he could join NBC Sports and his long-time partner John Madden for NBC's new NFL Sunday Night Football.[50] In April 2007, the Muppets Holding Company was moved from Disney Consumer Products to the Walt Disney Studios division and renamed The Muppets Studio, as part of efforts to re-launch the division.[51][45] In February 2007, the company was accused of human rights violations regarding the working conditions in factories that produce their merchandise.[52][53] On August 31, 2009, Disney announced a deal to acquire Marvel Entertainment for $4.24 billion, in a deal completed on December 31, 2009.[54][55] Director Emeritus Roy E. Disney died of stomach cancer on December 16, 2009. At the time of his death, he owned roughly 1 percent of all of Disney which amounted to 16 million shares. He was the last member of the Disney family to be actively involved in the company.[56] In October 2009, Disney Channel president Rich Ross, hired by Iger, replaced Dick Cook as chairman of the company and, in November, began restructuring the company to focus more on family friendly products. Later in January 2010, Disney decided to shut down Miramax after downsizing Touchstone, but one month later, they instead began selling the Miramax brand and its 700-title film library to Filmyard Holdings. In March, ImageMovers Digital, which Disney had established as a joint venture studio with Robert Zemeckis in 2007, was shut down. In April 2010, Lyric Street, Disney's country music label in Nashville, was shut down. The following month, Haim Saban reacquired the Power Rangers franchise, including its 700-episode library.[57] In September 2012, Saban reacquired the Digimon franchise, which, like Power Rangers, was part of the Fox Kids library that Disney acquired in 2001.[58] In January 2011, Disney Interactive Studios was downsized.[59] In April 2011, Disney broke ground on Shanghai Disney Resort. Costing $4.4 billion, the resort opened on June 16, 2016.[60] Later, in August 2011, Bob Iger stated on a conference call that after the success of the Pixar and Marvel purchases, he and the Walt Disney Company are looking to "buy either new characters or businesses that are capable of creating great characters and great stories."[61] Later, in early February 2012, Disney completed its acquisition of UTV Software Communications, expanding their market further into India and Asia.[62] On October 30, 2012, Disney announced plans to acquire Lucasfilm in a deal valued at $4.05 billion. Disney announced an intent to leverage the Star Wars franchise across its divisions, and planned to produce a seventh installment in the main film franchise for release in 2015.[63][64] The sale was completed on December 21, 2012.[65] On March 24, 2014, Disney acquired Maker Studios, an active multi-channel network on YouTube, for $500 million.[66] The company was later turned into a new venture called Disney Digital Network in May 2017.[67] On February 5, 2015, it was announced that Tom Staggs had been promoted to COO.[68] On April 4, 2016, Disney announced that Staggs and the company had mutually agreed to part ways, effective May 2016, ending his 26-year career with the company.[69] In August 2016, Disney acquired a 33 percent stake in BAMTech, a streaming media provider spun out from Major League Baseball's media division. The company announced plans to eventually use its infrastructure for an ESPN over-the-top service.[70][71] In September 2016, Disney considered purchasing the American online news and social networking service Twitter,[72][73] but they dropped out partly due to concerns over abuse and harassment on the service.[74][75][76] On March 23, 2017, Disney announced that Iger had agreed to a one-year extension of his term as CEO through July 2, 2019, and had agreed to remain with the company as a consultant for three years after stepping down.[77][78] In August 2017, Disney announced that it had exercised an option to increase its stake in BAMTech to 75 percent, and would launch a subscription video-on-demand service featuring its entertainment content in 2019, which will replace Netflix as the subscription VOD rights holder of all Disney theatrical film releases.[79][80] In November 2017, Lasseter announced that he was taking a six-month leave of absence from Pixar and Disney Animation after acknowledging "missteps" in his behavior with employees in a memo to staff. According to various news outlets, Lasseter had a history of alleged sexual misconduct towards employees.[81][82] The entrance to Fox Studios lot. In November 2017, it was reported by CNBC that Disney had been in negotiations to acquire 21st Century Fox. The negotiations had reportedly resumed around Disney acquiring several of Fox's key media assets. Rumors of a nearing deal continued on December 5, 2017, with additional reports suggesting that the FSN regional sports networks would be included in the resulting new company (assets that would likely be aligned with Disney's ESPN division).[83][84][85][86] On December 14, Disney agreed to acquire most assets from 21st Century Fox, including 20th Century Fox, for $52.4 billion.[87] The merger included many of Fox's entertainment assets—including filmed entertainment, cable entertainment, and direct broadcast satellite divisions in the UK, Europe, and Asia[88]—but excluded divisions such as the Fox Broadcasting Company, Fox Television Stations, the Fox News Channel, the Fox Business Network, Fox Sports 1 and 2, and the Big Ten Network, all of which were to be spun off into an independent company before the merger was complete (which eventually named Fox Corporation).[89] The following June, after a counter offer from Comcast worth $65 billion, Disney increased its offer to $71.3 billion.[90] The transaction officially closed on March 20, 2019.[91][92] Beginning in March 2018, a strategic reorganization of the company saw the creation of two business segments, Disney Parks, Experiences and Products and Direct-to-Consumer & International. Parks & Consumer Products was primarily a merger of Parks & Resorts and Consumer Products & Interactive Media. While Direct-to-Consumer & International took over for Disney International and global sales, distribution and streaming units from Disney-ABC TV Group and Studios Entertainment plus Disney Digital Network.[93] Given that CEO Iger described it as "strategically positioning our businesses for the future", The New York Times considered the reorganization done in expectation of the 21st Century Fox purchase." (wikipedia.org) "Disneyland Park, originally Disneyland, is the first of two theme parks built at the Disneyland Resort in Anaheim, California, opened on July 17, 1955. It is the only theme park designed and built to completion under the direct supervision of Walt Disney. It was originally the only attraction on the property; its official name was changed to Disneyland Park to distinguish it from the expanding complex in the 1990s. It was the first Disney theme park. Walt Disney came up with the concept of Disneyland after visiting various amusement parks with his daughters in the 1930s and 1940s. He initially envisioned building a tourist attraction adjacent to his studios in Burbank to entertain fans who wished to visit; however, he soon realized that the proposed site was too small. After hiring a consultant to help him determine an appropriate site for his project, Disney bought a 160-acre (65 ha) site near Anaheim in 1953. Construction began in 1954 and the park was unveiled during a special televised press event on the ABC Television Network on July 17, 1955. Since its opening, Disneyland has undergone expansions and major renovations, including the addition of New Orleans Square in 1966, Bear Country (now Critter Country) in 1972, Mickey's Toontown in 1993, and Star Wars: Galaxy's Edge in 2019.[2] Opened in 2001, Disney California Adventure Park was built on the site of Disneyland's original parking lot. Disneyland has a larger cumulative attendance than any other theme park in the world, with 726 million visits since it opened (as of December 2018). In 2018, the park had approximately 18.6 million visits, making it the second most visited amusement park in the world that year, behind only Magic Kingdom, the very park it inspired.[3] According to a March 2005 Disney report, 65,700 jobs are supported by the Disneyland Resort, including about 20,000 direct Disney employees and 3,800 third-party employees (independent contractors or their employees).[4] Disney announced "Project Stardust" in 2019, which included major structural renovations to the park to account for higher attendance numbers.... History Original dedication To all who come to this happy place: Welcome. Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America, with the hope that it will be a source of joy and inspiration to all the world. Walter E. Disney, July 17, 1955[6][7][8][9] 20th century Origins Walt Disney with Orange County officials Walt Disney (center) showing Orange County officials plans for Disneyland's layout, December 1954 The concept for Disneyland began when Walt Disney was visiting Griffith Park in Los Angeles with his daughters Diane and Sharon. While watching them ride the merry-go-round, he came up with the idea of a place where adults and their children could go and have fun together, though his dream lay dormant for many years.[10] He may have also been influenced by his father's memories of the World's Columbian Exposition of 1893 in Chicago (his father worked at the Exposition). The Midway Plaisance there included a set of attractions representing various countries from around the world and others representing various periods of man; it also included many rides including the first Ferris wheel, a "sky" ride, a passenger train that circled the perimeter, and a Wild West Show. Another likely influence was Benton Harbor, Michigan's nationally famous House of David's Eden Springs Park. Disney visited the park and ultimately bought one of the older miniature trains originally used there; the colony had the largest miniature railway setup in the world at the time.[11] The earliest documented draft of Disney's plans was sent as a memo to studio production designer Dick Kelsey on August 31, 1948, where it was referred to as a "Mickey Mouse Park", based on notes Disney made during his and Ward Kimball's trip to Chicago Railroad Fair the same month, with a two-day stop in Henry Ford's Museum and Greenfield Village, a place with attractions like a Main Street and steamboat rides, which he had visited eight years earlier.[12][13][14][15] While people wrote letters to Disney about visiting the Walt Disney Studios, he realized that a functional movie studio had little to offer to visiting fans, and began to foster ideas of building a site near the Burbank studios for tourists to visit. His ideas evolved to a small play park with a boat ride and other themed areas. The initial concept, the Mickey Mouse Park, started with an eight-acre (3.2 ha) plot across Riverside Drive. He started to visit other parks for inspiration and ideas, including Tivoli Gardens in Denmark, Efteling in the Netherlands, and Greenfield Village, Playland, and Children's Fairyland in the United States; and (according to the film director Ken Annakin, in his autobiography 'So You want to be a film director?'), Bekonscot Model Village & Railway, Beaconsfield, England. His designers began working on concepts, though the project grew much larger than the land could hold.[16] Disney hired Harrison Price from Stanford Research Institute to gauge the proper area to locate the theme park based on the area's potential growth. Based on Price's analysis (for which he would be recognized as a Disney Legend in 2003), Disney acquired 160 acres (65 ha) of orange groves and walnut trees in Anaheim, southeast of Los Angeles in neighboring Orange County.[16][17] The Burbank site originally considered by Disney is now home to Walt Disney Animation Studios and ABC Studios. Difficulties in obtaining funding prompted Disney to investigate new methods of fundraising, and he decided to create a show named Disneyland. It was broadcast on then-fledgling ABC. In return, the network agreed to help finance the park. For its first five years of operation, Disneyland was owned by Disneyland, Inc., which was jointly owned by Walt Disney Productions, Walt Disney, Western Publishing and ABC.[18] In addition, Disney rented out many of the shops on Main Street, U.S.A. to outside companies. By 1960, Walt Disney Productions bought out all other shares, a partnership which would eventually lead to the Walt Disney Corporation's acquisition of ABC in the mid-1990s. Construction began on July 16, 1954 and cost $17 million to complete (equivalent to $129 million in 2018[19]). The park was opened one year and one day later.[20] U.S. Route 101 (later Interstate 5) was under construction at the same time just north of the site; in preparation for the traffic Disneyland was expected to bring, two more lanes were added to the freeway before the park was finished.[17] Opening day Disneyland was dedicated at an "International Press Preview" event held on Sunday, July 17, 1955, which was open only to invited guests and the media. Although 28,000 people attended the event, only about half of those were invitees, the rest having purchased counterfeit tickets,[21] or even sneaked into the park by climbing over the fence.[22] The following day, it opened to the public, featuring twenty attractions. The Special Sunday events, including the dedication, were televised nationwide and anchored by three of Walt Disney's friends from Hollywood: Art Linkletter, Bob Cummings, and Ronald Reagan.[23] ABC broadcast the event live, during which many guests tripped over the television camera cables.[24] In Frontierland, a camera caught Cummings kissing a dancer. When Disney started to read the plaque for Tomorrowland, he read partway then stopped when a technician off-camera said something to him, and after realizing he was on-air, said, "I thought I got a signal",[24] and began the dedication from the start. At one point, while in Fantasyland, Linkletter tried to give coverage to Cummings, who was on the pirate ship. He was not ready, and tried to give the coverage back to Linkletter, who had lost his microphone. Cummings then did a play-by-play of him trying to find it in front of Mr. Toad's Wild Ride.[24] Traffic was delayed on the two-lane Harbor Boulevard.[24] Famous figures who were scheduled to show up every two hours showed up all at once. The temperature was an unusually high 101 °F (38 °C), and because of a local plumbers' strike, Disney was given a choice of having working drinking fountains or running toilets. He chose the latter, leaving many drinking fountains dry. This generated negative publicity since Pepsi sponsored the park's opening; disappointed guests believed the inoperable fountains were a cynical way to sell soda, while other vendors ran out of food. The asphalt that had been poured that morning was soft enough to let women's high-heeled shoes sink into it. Some parents threw their children over the crowd's shoulders to get them onto rides, such as the King Arthur Carrousel.[25] In later years, Disney and his 1955 executives referred to July 17, 1955, as "Black Sunday". After the extremely negative press from the preview opening, Walt Disney invited attendees back for a private "second day" to experience Disneyland properly. At the time, and during the lifetimes of Walt and Roy Disney, July 17 was considered merely a preview, with July 18 the official opening day.[22] Since then, aided by memories of the television broadcast, the company has adopted July 17 as the official date, the one commemorated every year as Disneyland's birthday.[22] 1950s and 1960s Disneyland aerial view, 1963, which includes the new Melody Land Theater at the top of the photo In September 1959, Soviet First Secretary Nikita Khrushchev spent thirteen days in the United States, with two requests: to visit Disneyland and to meet John Wayne, Hollywood's top box-office draw. Due to the Cold War tension and security concerns, he was famously denied an excursion to Disneyland.[26] The Shah of Iran and Empress Farah were invited to Disneyland by Walt Disney in the early 1960s.[27] There was moderate controversy over the lack of African American employees. As late as 1963, civil rights activists were pressuring Disneyland to hire black people,[28] with executives responding that they would "consider" the requests.[citation needed] The park did however hire people of Asian descent, such as Ty Wong and Bob Kuwahara.[29] As part of the Casa de Fritos operation at Disneyland, "Doritos" (Spanish for "little golden things") were created at the park to recycle old tortillas that would have been discarded. The Frito-Lay Company saw the popularity of the item and began selling them regionally in 1964, and then nationwide in 1966.[30] 1980s On December 5, 1985, to celebrate Disneyland's 30th year in operation, one million balloons were launched along the streets bordering Disneyland as part of the Skyfest Celebration. They also remodeled Fantasyland. They had to close in 1982 and, in 1983, a year after its closure, it reopened to the public as "New Fantasyland".[31] 1990s In the late 1990s, work began to expand the one-park, one-hotel property. Disneyland Park, the Disneyland Hotel, the site of the original parking lot, and acquired surrounding properties were earmarked to become part of the Disneyland Resort. At that time, the property saw the addition of the Disney California Adventure theme park, a shopping, dining and entertainment complex named Downtown Disney, a remodeled Disneyland Hotel, the construction of Disney's Grand Californian Hotel & Spa, and the acquisition and re-branding of the Pan Pacific Hotel as Disney's Paradise Pier Hotel. The park was renamed "Disneyland Park" to distinguish it from the larger complex under construction. Because the existing parking lot (south of Disneyland) was repurposed by these projects, the six-level, 10,250-space Mickey and Friends parking structure was constructed in the northwest corner. Upon completion in 2000, it was the largest parking structure in the United States.[32] The park's management team during the mid-1990s was a source of controversy among fans and employees. In an effort to boost profits, various changes were begun by then-executives Cynthia Harriss and Paul Pressler. While their initiatives provided a short-term increase in shareholder returns, they drew widespread criticism for their lack of foresight. The retail backgrounds of Harriss and Pressler led to a gradual shift in Disneyland's focus from attractions to merchandising. Outside consultants McKinsey & Company were brought in to help streamline operations, resulting in many changes and cutbacks. After nearly a decade of deferred maintenance, the original park was showing signs of neglect. Fans of the park decried the perceived decline in customer value and park quality and rallied for the dismissal of the management team.[33] 21st century Disneyland in 2005 An aerial view of Disneyland in 2004 Matt Ouimet, the former president of the Disney Cruise Line, was promoted to assume leadership of the Disneyland Resort in late 2003. Shortly afterward, he selected Greg Emmer as Senior Vice President of Operations. Emmer was a long-time Disney cast member who had worked at Disneyland in his youth prior to moving to Florida and held multiple executive leadership positions at the Walt Disney World Resort. Ouimet quickly set about reversing certain trends, especially concerning cosmetic maintenance and a return to the original infrastructure maintenance schedule, in hopes of restoring Disneyland's former safety record. Similarly to Disney himself, Ouimet and Emmer could often be seen walking the park during business hours with members of their respective staff, wearing cast member name badges, standing in line for attractions, and welcoming guests' comments. In July 2006, Ouimet left The Walt Disney Company to become president of Starwood Hotels & Resorts Worldwide. Soon after, Ed Grier, executive managing director of Walt Disney Attractions Japan, was named president of the resort. In October 2009, Grier announced his retirement, and was replaced by George Kalogridis. The "Happiest Homecoming on Earth" was an eighteen-month-long celebration (held through 2005 and 2006) of the fiftieth anniversary of the Disneyland Park, also celebrating Disneyland's milestone throughout Disney parks worldwide. In 2004, the park underwent major renovations in preparation, restoring many attractions, notably Space Mountain, Jungle Cruise, the Haunted Mansion, Pirates of the Caribbean, and Walt Disney's Enchanted Tiki Room. Attractions that had been in the park on opening day had one ride vehicle painted gold, and the park was decorated with fifty Golden Mickey Ears. The celebration started on May 5, 2005, and ended on September 30, 2006, and was followed by the "Year of a Million Dreams" celebration, lasting twenty-seven months and ending on December 31, 2008. Beginning on January 1, 2010, Disney Parks hosted the Give a Day, Get a Disney Day volunteer program, in which Disney encouraged people to volunteer with a participating charity and receive a free Disney Day at either a Disneyland Resort or Walt Disney World park. On March 9, 2010, Disney announced that it had reached its goal of one million volunteers and ended the promotion to anyone who had not yet registered and signed up for a specific volunteer situation. In July 2015, Disneyland celebrated its 60th Diamond Celebration anniversary.[34] Disneyland Park introduced the Paint the Night parade and Disneyland Forever fireworks show, and Sleeping Beauty Castle is decorated in diamonds with a large "60" logo. The Diamond Celebration concluded in September 2016 and the whole decoration of the anniversary was removed around Halloween 2016. Lands This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Disneyland" – news · newspapers · books · scholar · JSTOR (May 2015) (Learn how and when to remove this template message) Main articles: List of Disneyland attractions and List of former Disneyland attractions Disneyland Park consists of nine themed "lands" and a number of concealed backstage areas, and occupies over 100 acres (40 ha) with the new addition of Mickey and Minnie's Runaway Railway that's coming to Mickeys Toontown in 2022.[16] The park opened with Main Street, U.S.A., Adventureland, Frontierland, Fantasyland, and Tomorrowland, and has since added New Orleans Square in 1966, Bear Country (now known as Critter Country) in 1972, and Mickey's Toontown in 1993, and Star Wars: Galaxy's Edge in 2019.[39] In 1957, Holidayland opened to the public with a nine-acre (3.6 ha) recreation area including a circus and baseball diamond, but was closed in late 1961. It is often referred to as the "lost" land of Disneyland. Throughout the park are "Hidden Mickeys", representations of Mickey Mouse heads inserted subtly into the design of attractions and environmental decor. An elevated berm supports the 3 ft (914 mm) narrow gauge Disneyland Railroad that circumnavigates the park. Lands of Disneyland Main Street, U.S.A. (2010)   Adventureland (Themed for a 1950s view of adventure, capitalizing on the post-war Tiki craze)   Frontierland (Big Thunder Mountain Railroad in 2008)   New Orleans Square (The Haunted Mansion and Fantasmic! viewing area in 2010)   Critter Country (Splash Mountain in 2010)   Fantasyland (Peter Pan's Flight and the Matterhorn Bobsleds)   Mickey's Toontown (2010)   Tomorrowland (Space Mountain in 2010)   Star Wars: Galaxy's Edge (2019) Main Street, U.S.A. Main article: Main Street, U.S.A. Main Street, U.S.A. is patterned after a typical Midwest town of the early 20th century, and took much inspiration from Walt Disney's hometown, Marceline, Missouri.[40] Main Street, U.S.A. has a train station, town square, movie theater, city hall, firehouse with a steam-powered pump engine, emporium, shops, arcades, double-decker bus, horse-drawn streetcar, and jitneys.[41] Main Street is also home to the Disney Art Gallery and the Opera House which showcases Great Moments with Mr. Lincoln, a show featuring an Audio-Animatronic version of the president. At the far end of Main Street, U.S.A. is Sleeping Beauty Castle, the Partners statue, and the Central Plaza (also known as the Hub), which is a portal to most of the themed lands: the entrance to Fantasyland is by way of a drawbridge across a moat and through the castle.[42] Adventureland, Frontierland, and Tomorrowland are on both sides of the castle. Several lands are not directly connected to the Central Plaza—namely, New Orleans Square, Critter Country, Star Wars: Galaxy's Edge and Mickey's Toontown. The design of Main Street, U.S.A. uses the technique of forced perspective to create an illusion of height.[43] Buildings along Main Street are built at ​3⁄4 scale on the first level, then ​5⁄8 on the second story, and ​1⁄2 scale on the third—reducing the scale by ​1⁄8 each level up. Adventureland Main article: Adventureland (Disney) Adventureland is designed to recreate the feel of an exotic tropical place in a far-off region of the world. "To create a land that would make this dream reality", said Walt Disney, "we pictured ourselves far from civilization, in the remote jungles of Asia and Africa." Attractions include opening day's Jungle Cruise, the Indiana Jones Adventure, and Tarzan's Treehouse, which is a conversion of Swiss Family Treehouse from the Walt Disney film Swiss Family Robinson. Walt Disney's Enchanted Tiki Room which is located at the entrance to Adventureland was the first feature attraction to employ Audio-Animatronics, a computer synchronization of sound and robotics. New Orleans Square Main article: New Orleans Square New Orleans Square is based on 19th-century New Orleans, opened on July 24, 1966. It is home to Pirates of the Caribbean and the Haunted Mansion, with nighttime entertainment in Fantasmic!. This area is the home of Club 33. Frontierland Main article: Frontierland Frontierland recreates the setting of pioneer days along the American frontier. According to Walt Disney, "All of us have cause to be proud of our country's history, shaped by the pioneering spirit of our forefathers. Our adventures are designed to give you the feeling of having lived, even for a short while, during our country's pioneer days." Frontierland is home to the Pinewood Indians band of animatronic Native Americans, who live on the banks of the Rivers of America. Entertainment and attractions include Big Thunder Mountain Railroad, the Mark Twain Riverboat, the Sailing Ship Columbia, Pirate's Lair on Tom Sawyer Island, and Frontierland Shootin' Exposition. Frontierland is also home to the Golden Horseshoe Saloon, an Old West-style show palace. Critter Country Main article: Critter Country Critter Country opened in 1972 as "Bear Country", and was renamed in 1988. Formerly the area was home to Indian Village, where indigenous tribespeople demonstrated their dances and other customs. Today, the main draw of the area is Splash Mountain, a log-flume journey inspired by the Uncle Remus stories of Joel Chandler Harris and the animated segments of Disney's Academy Award-winning 1946 film Song of the South. In 2003, a dark ride called The Many Adventures of Winnie the Pooh replaced the Country Bear Jamboree, which closed in 2001. Country Bear Jamboree is still open in Walt Disney World's Magic Kingdom. Star Wars: Galaxy's Edge Main article: Star Wars: Galaxy's Edge Star Wars: Galaxy's Edge is set within the Star Wars universe, in the Black Spire Outpost village on the remote frontier planet of Batuu. Attractions include the Millennium Falcon: Smugglers Run and Star Wars: Rise of the Resistance.[44] The land opened in 2019, replacing Big Thunder Ranch and former backstage areas.[45][46] Fantasyland Main article: Fantasyland Fantasyland is the area of Disneyland of which Walt Disney said, "What youngster has not dreamed of flying with Peter Pan over moonlit London, or tumbling into Alice's nonsensical Wonderland? In Fantasyland, these classic stories of everyone's youth have become realities for youngsters – of all ages – to participate in." Fantasyland was originally styled in a medieval European fairground fashion, but its 1983 refurbishment turned it into a Bavarian village. Attractions include several dark rides, the King Arthur Carrousel, and various family attractions. Fantasyland has the most fiber optics in the park; more than half of them are in Peter Pan's Flight.[47] Sleeping Beauty's Castle features a walk-through story telling of Briar Rose's adventure as Sleeping Beauty. The attraction opened in 1959, was redesigned in 1972, closed in 1992 for reasons of security and the new installation of pneumatic ram firework shell mortars for "Believe, There's Magic in the Stars", and reopened 2008 with new renditions and methods of storytelling and the restored work of Eyvind Earle. Mickey's Toontown Main article: Mickey's Toontown Mickey's Toontown opened in 1993 and was partly inspired by the fictional Los Angeles suburb of Toontown in the Touchstone Pictures 1988 release Who Framed Roger Rabbit. Mickey's Toontown is based on a 1930s cartoon aesthetic and is home to Disney's most popular cartoon characters. Toontown features two main attractions: Gadget's Go Coaster and Roger Rabbit's Car Toon Spin. The "city" is also home to cartoon character's houses such as the house of Mickey Mouse, Minnie Mouse and Goofy, as well as Donald Duck's boat. The 3 ft (914 mm) gauge Jolly Trolley can also be found in this area, though it closed as an attraction in 2003 and is now present only for display purposes. In 2022 Mickey & Minnie's Runaway Railway will open at Mickey's Toontown. The new family friendly dark ride will increase the size of Toontown as well as the size of Disneyland from 99 to 101 acres (40 to 41 ha). Tomorrowland Main article: Tomorrowland During the 1955 inauguration Walt Disney dedicated Tomorrowland with these words: "Tomorrow can be a wonderful age. Our scientists today are opening the doors of the Space Age to achievements that will benefit our children and generations to come. The Tomorrowland attractions have been designed to give you an opportunity to participate in adventures that are a living blueprint of our future." Disneyland producer Ward Kimball had rocket scientists Wernher von Braun, Willy Ley, and Heinz Haber serve as technical consultants during the original design of Tomorrowland.[48] Initial attractions included Rocket to the Moon, Astro-Jets and Autopia; later, the first incarnation of the Submarine Voyage was added. The area underwent a major transformation in 1967 to become New Tomorrowland, and then again in 1998 when its focus was changed to present a "retro-future" theme reminiscent of the illustrations of Jules Verne. Current attractions include Space Mountain, Star Wars Launch Bay, Autopia, Jedi Training: Trials of the Temple, the Disneyland Monorail Tomorrowland Station, Astro Orbitor, and Buzz Lightyear Astro Blasters. Finding Nemo Submarine Voyage opened on June 11, 2007, resurrecting the original Submarine Voyage which closed in 1998. Star Tours was closed in July 2010 and replaced with Star Tours–The Adventures Continue in June 2011. Operations Backstage This section includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please help to improve this section by introducing more precise citations. (October 2010) (Learn how and when to remove this template message) Major buildings backstage include the Frank Gehry-designed Team Disney Anaheim,[49] where most of the division's administration currently works, as well as the Old Administration Building, behind Tomorrowland. Photography is forbidden in these areas, both inside and outside, although some photos have found their way to a variety of web sites. Guests who attempt to explore backstage are warned and often escorted from the property.[50] Transportation Disneyland Railroad Disneyland Railroad Engine 2 Walt Disney had a longtime interest in transportation, and trains in particular. Disney's passion for the "iron horse" led to him building a miniature live steam backyard railroad—the "Carolwood Pacific Railroad"—on the grounds of his Holmby Hills estate. Throughout all the iterations of Disneyland during the 17 or so years when Disney was conceiving it, one element remained constant: a train encircling the park.[10] The primary designer for the park transportation vehicles was Bob Gurr who gave himself the title of Director of Special Vehicle Design in 1954.[51] Encircling Disneyland and providing a grand circle tour is the Disneyland Railroad (DRR), a 3 ft (914 mm) narrow gauge short-line railway consisting of five oil-fired and steam-powered locomotives, in addition to three passenger trains and one passenger-carrying freight train. Originally known as the Disneyland and Santa Fe Railroad, the DRR was presented by the Atchison, Topeka and Santa Fe Railway until 1974. From 1955 to 1974, the Santa Fe Rail Pass was accepted in lieu of a Disneyland "D" coupon. With a 3 ft (914 mm) gauge, the most common narrow track gauge used in North America, the track runs in a continuous loop around Disneyland through each of its realms. Each 1900s-era train departs Main Street Station on an excursion that includes scheduled station stops at: New Orleans Square Station; Toontown Depot; and Tomorrowland Station. The Grand Circle Tour then concludes with a visit to the "Grand Canyon/Primeval World" dioramas before returning passengers to Main Street, U.S.A.[52] photo of new Monorail Monorail Red travels over the Finding Nemo Submarine Voyage in Tomorrowland One of Disneyland's signature attractions is its Disneyland Monorail System monorail service, which opened in Tomorrowland in 1959 as the first daily-operating monorail train system in the Western Hemisphere. The monorail guideway has remained almost exactly the same since 1961, aside from small alterations while Indiana Jones Adventure was being built. Five generations of monorail trains have been used in the park, since their lightweight construction means they wear out quickly. The most recent operating generation, the Mark VII, was installed in 2008. The monorail shuttles visitors between two stations, one inside the park in Tomorrowland and one in Downtown Disney. It follows a 2.5-mile-long (4.0 km) route designed to show the park from above. Currently, the Mark VII is running with the colors red, blue and orange. The monorail was originally a loop built with just one station in Tomorrowland. Its track was extended and a second station opened at the Disneyland Hotel in 1961. With the creation of Downtown Disney in 2001, the new destination is Downtown Disney, instead of the Disneyland Hotel. The physical location of the monorail station did not change, but the original station building was demolished as part of the hotel downsizing, and the new station is now separated from the hotel by several Downtown Disney buildings, including ESPN Zone and the Rainforest Café.[53] Horseless carriage Main Street at Disneyland as seen from a Horseless Carriage All of the vehicles found on Main Street, U.S.A., grouped together as the Main Street Vehicles attraction, were designed to accurately reflect turn-of-the-century vehicles, including a 3 ft (914 mm) gauge[54] tramway featuring horse-drawn streetcars, a double-decker bus, a fire engine, and an automobile.[55] They are available for one-way rides along Main Street, U.S.A. The horse-drawn streetcars are also used by the park entertainment, including The Dapper Dans. The horseless carriages are modeled after cars built in 1903, and are two-cylinder, four-horsepower (3 kW) engines with manual transmission and steering. Walt Disney used to drive the fire engine around the park before it opened, and it has been used to host celebrity guests and in the parades. Most of the original main street vehicles were designed by Bob Gurr. From the late 1950s to 1968, Los Angeles Airways provided regularly scheduled helicopter passenger service between Disneyland and Los Angeles International Airport (LAX) and other cities in the area. The helicopters initially operated from Anaheim/Disneyland Heliport, located behind Tomorrowland. Service later moved, in 1960, to a new heliport north of the Disneyland Hotel.[56] Arriving guests were transported to the Disneyland Hotel via tram. The service ended after two fatal crashes in 1968: The crash in Paramount, California, on May 22, 1968, killed 23 (the worst helicopter accident in aviation history at that time). The second crash in Compton, California on August 14, 1968, killed 21.[57] Live entertainment Disneyland Musical Chairs Alice and characters from her movie host "Disneyland Musical Chairs" at Coca-Cola Refreshment Corner, accompanied by a ragtime pianist In addition to the attractions, Disneyland provides live entertainment throughout the park. Most of the mentioned entertainment is not offered daily, but only on selected days of the week, or selected periods of the year. Many Disney characters can be found throughout the park, greeting visitors, interacting with children, and posing for photos. Some characters have specific areas where they are scheduled to appear, but can be found wandering as well. Some of the rarest are characters like Rabbit (from Winnie-the-Pooh), Max, Mushu, and Agent P.[58] Periodically through recent decades (and most recently during the summers of 2005 and 2006), Mickey Mouse would climb the Matterhorn attraction several times a day with the support of Minnie, Goofy, and other performers. Other mountain climbers could also be seen on the Matterhorn from time to time. As of March 2007, Mickey and his "toon" friends no longer climb the Matterhorn but the climbing program continues. Every evening at dusk, there is a military-style flag retreat to lower the U.S. Flag by a ceremonial detail of Disneyland's Security staff. The ceremony is usually held between 4:00 and 5:00 pm, depending on the entertainment being offered on Main Street, U.S.A., to prevent conflicts with crowds and music. Disney does report the time the Flag Retreat is scheduled on its Times Guide, offered at the entrance turnstiles and other locations. The Disneyland Band, which has been part of the park since its opening, plays the role of the Town Band on Main Street, U.S.A. It also breaks out into smaller groups like the Main Street Strawhatters, the Hook and Ladder Co., and the Pearly Band in Fantasyland. However, on March 31, 2015, the Disneyland Resort notified the band members of an "end of run". The reason for doing so is that they would start a new higher energy band. The veteran band members were invited to audition for the new Disneyland band, and were told that even if they did not make the new band or audition, they would still play in small groups around the park. This sparked some controversy with supporters of the traditional band.[59] Fantasmic Fantasmic! finale on July 4, 2010 Parades Disneyland has featured a number of different parades traveling down the park's central Main Street – Fantasyland corridor. There have been daytime and nighttime parades that celebrated Disney films or seasonal holidays with characters, music, and large floats. One of the most popular parades was the Main Street Electrical Parade, which recently ended a limited-time return engagement after an extended run at the Magic Kingdom at Walt Disney World in Lake Buena Vista, Florida. From May 5, 2005 through November 7, 2008, as part of Disneyland's 50th anniversary, Walt Disney's Parade of Dreams was presented, celebrating several Disney films including The Lion King, The Little Mermaid, Alice in Wonderland, and Pinocchio. In 2009, Walt Disney's Parade of Dreams was replaced by Celebrate! A Street Party, which premiered on March 27, 2009. Disney did not call Celebrate! A Street Party a parade, but rather a "street event." During the Christmas season, Disneyland presents "A Christmas Fantasy" Parade. Walt Disney's Parade of Dreams was replaced by Mickey's Soundsational Parade, which debuted on May 27, 2011.[60] Disneyland debuted a new nighttime parade called "Paint the Night", on May 22, 2015, as part of the park's 60th anniversary.[61] Fireworks shows Disneyland fireworks Disneyland fireworks from Sleeping Beauty Castle Elaborate fireworks shows synchronized with Disney songs and often have appearances from Tinker Bell (and other characters) flying in the sky above Sleeping Beauty Castle. Since 2000, presentations have become more elaborate, featuring new pyrotechnics, launch techniques, and story lines. In 2004, Disneyland introduced a new air launch pyrotechnics system, reducing ground level smoke and noise and decreasing negative environmental impacts. At the time the technology debuted, Disney announced it would donate the patents to a non-profit organization for use throughout the industry.[62] Projection mapping technology debuted on It's a Small World with the creation of The Magic, the Memories and You in 2011, and expanded to Main Street and Sleeping Beauty Castle in 2015 with the premiere of Disneyland Forever. Regular fireworks shows: 1958–1999 & 2015: Fantasy in the Sky 2000–2004: Believe... There's Magic in the Stars 2004–2005: Imagine... A Fantasy in the Sky 2005–2014; 2017–2019: Remember... Dreams Come True 2009–2014 (summer): Magical: Disney's New Nighttime Spectacular of Magical Celebrations 2019 (summer): Disneyland Forever Seasonal fireworks shows: September–October Halloween Screams Independence Day Week: Disney's Celebrate America: A 4th of July Concert in the Sky November–January: Believe... In Holiday Magic Limited edition fireworks shows 60th Anniversary: Disneyland Forever Pixar Fest: Together Forever Get Your Ears On – A Mickey and Minnie Celebration: Mickey's Mix Magic Since 2009, Disneyland has moved to a rotating repertoire of firework spectaculars. Scheduling of fireworks shows depends on the time of year. During the slower off-season periods, the fireworks are only offered on weekends. During the busier times, Disney offers additional nights. The park offers fireworks nightly during its busy periods, which include Easter/Spring Break, Summer and Christmas time. Disneyland spends about $41,000 per night on the fireworks show. The show is normally offered at 8:45 or 9:30 pm if the park is scheduled to close at 10 pm or later, but shows have started as early as 5:45 pm. A major consideration is weather/winds, especially at higher elevations, which can, and often will, force the delay or cancellation of the show. In response to this, alternate versions of the fireworks spectaculars have been created in recent years, solely using the projections and lighting effects. With a few minor exceptions, such as July 4 and New Year's Eve, shows must finish by 10:00 pm due to the conditions of the permit issued by the City of Anaheim. In recent years, Disneyland uses smaller and mid-sized fireworks shells and more low-level pyrotechnics on the castle to allow guests to enjoy the fireworks spectaculars even if there is a weather issue such as high wind. This precedent is known as B-show. The first fireworks show to have this format was Believe... In Holiday Magic from the 2018 holiday season." (wikipedia.org) "Mickey Mouse is a cartoon character and the mascot of The Walt Disney Company. He was created by Walt Disney and Ub Iwerks at the Walt Disney Studios in 1928. An anthropomorphic mouse who typically wears red shorts, large yellow shoes, and white gloves, Mickey is one of the world's most recognizable characters. Created as a replacement for a prior Disney character, Oswald the Lucky Rabbit, Mickey first appeared in the short Plane Crazy, debuting publicly in the short film Steamboat Willie (1928), one of the first sound cartoons. He went on to appear in over 130 films, including The Band Concert (1935), Brave Little Tailor (1938), and Fantasia (1940). Mickey appeared primarily in short films, but also occasionally in feature-length films. Ten of Mickey's cartoons were nominated for the Academy Award for Best Animated Short Film, one of which, Lend a Paw, won the award in 1942. In 1978, Mickey became the first cartoon character to have a star on the Hollywood Walk of Fame. Beginning in 1930, Mickey has also been featured extensively as a comic strip character. The Mickey Mouse comic strip, drawn primarily by Floyd Gottfredson, ran for 45 years. Mickey has also appeared in comic books such as Disney Italy's Topolino, MM – Mickey Mouse Mystery Magazine, and Wizards of Mickey, and in television series such as The Mickey Mouse Club (1955–1996) and others. He also appears in other media such as video games as well as merchandising and is a meetable character at the Disney parks. Mickey generally appears alongside his girlfriend Minnie Mouse, his pet dog Pluto, his friends Donald Duck and Goofy, and his nemesis Pete, among others (see Mickey Mouse universe). Though originally characterized as a cheeky lovable rogue, Mickey was rebranded over time as a nice guy, usually seen as an honest and bodacious hero. In 2009, Disney began to rebrand the character again by putting less emphasis on his friendly, well-meaning persona and reintroducing the more menacing and stubborn sides of his personality, beginning with the video game Epic Mickey.... History See also: Mickey Mouse film series Film Origin Concept art of Mickey from early 1928, from the collection of The Walt Disney Family Museum. The sketches are the earliest known drawings of the character. "I only hope that we never lose sight of one thing – that it was all started by a mouse." — Walt Disney, Disneyland; October 27, 1954 Mickey Mouse was created as a replacement for Oswald the Lucky Rabbit, an earlier cartoon character that was created by the Disney studio but owned by Universal Pictures.[4] Charles Mintz served as a middleman producer between Disney and Universal through his company, Winkler Pictures, for the series of cartoons starring Oswald. Ongoing conflicts between Disney and Mintz and the revelation that several animators from the Disney studio would eventually leave to work for Mintz's company ultimately resulted in Disney cutting ties with Oswald. Among the few people who stayed at the Disney studio were animator Ub Iwerks, apprentice artist Les Clark, and Wilfred Jackson. On his train ride home from New York, Walt brainstormed ideas for a new cartoon character. Mickey Mouse was conceived in secret while Disney produced the final Oswald cartoons he contractually owed Mintz. Disney asked Ub Iwerks to start drawing up new character ideas. Iwerks tried sketches of various animals, such as dogs and cats, but none of these appealed to Disney. A female cow and male horse were also rejected. They would later turn up as Clarabelle Cow and Horace Horsecollar. A male frog was also rejected. It would later show up in Iwerks' own Flip the Frog series.[5] Walt Disney got the inspiration for Mickey Mouse from a tame mouse at his desk at Laugh-O-Gram Studio in Kansas City, Missouri.[6] In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney. These inspired Ub Iwerks to create a new mouse character for Disney.[5] "Mortimer Mouse" had been Disney's original name for the character before his wife, Lillian, convinced him to change it, and ultimately Mickey Mouse came to be.[7][8] The actor Mickey Rooney claimed that, during his Mickey McGuire days, he met cartoonist Walt Disney at the Warner Brothers studio, and that Disney was inspired to name Mickey Mouse after him.[9] This claim, however, has been debunked by Disney historian Jim Korkis, since at the time of Mickey Mouse's development, Disney Studios had been located on Hyperion Avenue for several years, and Walt Disney never kept an office or other working space at Warner Brothers, having no professional relationship with Warner Brothers.[10][11] Debut (1928) Mickey's first appearance in Steamboat Willie (1928) Iwerks was the main animator for the first short that would star Mickey and reportedly spent six weeks working on it. In fact, Iwerks was the main animator for every Disney short released in 1928 and 1929. Hugh Harman and Rudolf Ising also assisted Disney during those years. They had already signed their contracts with Charles Mintz, but he was still in the process of forming his new studio and so for the time being they were still employed by Disney. This short would be the last they animated under this somewhat awkward situation.[1] Mickey was first seen in a test screening of the cartoon short Plane Crazy, on May 15, 1928, but it failed to impress the audience and Walt could not find a distributor for the short. Walt went on to produce a second Mickey short, The Gallopin' Gaucho, which was also not released for lack of a distributor.[1] Steamboat Willie was first released on November 18, 1928, in New York. It was co-directed by Walt Disney and Ub Iwerks. Iwerks again served as the head animator, assisted by Johnny Cannon, Les Clark, Wilfred Jackson and Dick Lundy. This short was intended as a parody of Buster Keaton's Steamboat Bill, Jr., first released on May 12 of the same year. Although it was the third Mickey cartoon produced, it was the first to find a distributor, and thus is considered by The Disney Company as Mickey's debut. Willie featured changes to Mickey's appearance (in particular, simplifying his eyes to large dots) that established his look for later cartoons and in numerous Walt Disney films.[12][13] The cartoon was not the first cartoon to feature a soundtrack connected to the action. Fleischer Studios, headed by brothers Dave and Max Fleischer, had already released a number of sound cartoons using the DeForest system in the mid-1920s. However, these cartoons did not keep the sound synchronized throughout the film. For Willie, Disney had the sound recorded with a click track that kept the musicians on the beat. This precise timing is apparent during the "Turkey in the Straw" sequence when Mickey's actions exactly match the accompanying instruments. Animation historians have long debated who had served as the composer for the film's original music. This role has been variously attributed to Wilfred Jackson, Carl Stalling and Bert Lewis, but identification remains uncertain. Walt Disney himself was voice actor for both Mickey and Minnie and would remain the source of Mickey's voice through 1946 for theatrical cartoons. Jimmy MacDonald took over the role in 1946, but Walt provided Mickey's voice again from 1955 to 1959 for The Mickey Mouse Club television series on ABC.[citation needed] Audiences at the time of Steamboat Willie's release were reportedly impressed by the use of sound for comedic purposes. Sound films or "talkies" were still considered innovative. The first feature-length movie with dialogue sequences, The Jazz Singer starring Al Jolson, was released on October 6, 1927. Within a year of its success, most United States movie theaters had installed sound film equipment. Walt Disney apparently intended to take advantage of this new trend and, arguably, managed to succeed. Most other cartoon studios were still producing silent products and so were unable to effectively act as competition to Disney. As a result, Mickey would soon become the most prominent animated character of the time. Walt Disney soon worked on adding sound to both Plane Crazy and The Gallopin' Gaucho (which had originally been silent releases) and their new release added to Mickey's success and popularity. A fourth Mickey short, The Barn Dance, was also put into production; however, Mickey does not actually speak until The Karnival Kid in 1929 when his first spoken words were "Hot dogs, Hot dogs!" After Steamboat Willie was released, Mickey became a close competitor to Felix the Cat, and his popularity would grow as he was continuously featured in sound cartoons. By 1929, Felix would lose popularity among theater audiences, and Pat Sullivan decided to produce all future Felix cartoons in sound as a result.[14] Unfortunately, audiences did not respond well to Felix's transition to sound and by 1930, Felix had faded from the screen.[15] Black and white films (1929–1935) Mickey with Minnie Mouse in Building a Building (1933) In Mickey's early films he was often characterized not as a hero, but as an ineffective young suitor to Minnie Mouse. The Barn Dance (March 14, 1929) is the first time in which Mickey is turned down by Minnie in favor of Pete. The Opry House (March 28, 1929) was the first time in which Mickey wore his white gloves. Mickey wears them in almost all of his subsequent appearances and many other characters followed suit. The three lines on the back of Mickey's gloves represent darts in the gloves' fabric extending from between the digits of the hand, typical of glove design of the era. When the Cat's Away (April 18, 1929), essentially a remake of the Alice Comedy, "Alice Rattled by Rats", was an unusual appearance for Mickey. Although Mickey and Minnie still maintained their anthropomorphic characteristics, they were depicted as the size of regular mice and living with a community of many other mice as pests in a home. Mickey and Minnie would later appear the size of regular humans in their own setting. In appearances with real humans, Mickey has been shown to be about two to three feet high.[16] The next Mickey short was also unusual. The Barnyard Battle (April 25, 1929) was the only film to depict Mickey as a soldier and also the first to place him in combat. The Karnival Kid (1929) was the first time Mickey spoke. Before this he had only whistled, laughed, and grunted. His first words were "Hot dogs! Hot dogs!" said while trying to sell hot dogs at a carnival. Mickey's Follies (1929) introduced the song "Minnie's Yoo-Hoo" which would become the theme song for Mickey Mouse films for the next several years. The "Minnie's Yoo-Hoo" song sequence was also later reused with different background animation as its own special short shown only at the commencement of 1930s theater-based Mickey Mouse Clubs.[17][18] Mickey's dog Pluto first appeared as Mickey's pet in The Moose Hunt (1931) after previously appearing as Minnie's dog "Rover" in The Picnic (1930). The Cactus Kid (April 11, 1930) was the last film to be animated by Ub Iwerks at Disney. Shortly before the release of the film, Iwerks left to start his own studio, bankrolled by Disney's then-distributor Pat Powers. Powers and Disney had a falling out over money due Disney from the distribution deal. It was in response to losing the right to distribute Disney's cartoons that Powers made the deal with Iwerks, who had long harbored a desire to head his own studio. The departure is considered a turning point in Mickey's career, as well as that of Walt Disney. Walt lost the man who served as his closest colleague and confidant since 1919. Mickey lost the man responsible for his original design and for the direction or animation of several of the shorts released till this point. Advertising for the early Mickey Mouse cartoons credited them as "A Walt Disney Comic, drawn by Ub Iwerks". Later Disney Company reissues of the early cartoons tend to credit Walt Disney alone. Disney and his remaining staff continued the production of the Mickey series, and he was able to eventually find a number of animators to replace Iwerks. As the Great Depression progressed and Felix the Cat faded from the movie screen, Mickey's popularity would rise, and by 1932 The Mickey Mouse Club would have one million members.[19] At the 5th Academy Awards in 1932, Mickey received his first Academy Award nomination, received for Mickey's Orphans (1931). Walt Disney also received an honorary Academy Award for the creation of Mickey Mouse. Despite being eclipsed by the Silly Symphony short the Three Little Pigs in 1933, Mickey still maintained great popularity among theater audiences too, until 1935, when polls showed that Popeye was more popular than Mickey.[20][21][22] By 1934, Mickey merchandise had earned $600,000.00 a year.[23] In 1935, Disney began to phase out the Mickey Mouse Clubs, due to administration problems.[24] About this time, story artists at Disney were finding it increasingly difficult to write material for Mickey. As he had developed into a role model for children, they were limited in the types of gags they could make. This led to Mickey taking more of a secondary role in some of his next films allowing for more emphasis on other characters. In Orphan's Benefit (August 11, 1934) Mickey first appeared with Donald Duck who had been introduced earlier that year in the Silly Symphony series. The tempestuous duck would provide Disney with seemingly endless story ideas and would remain a recurring character in Mickey's cartoons. Color films (1935–1953) Mickey in The Band Concert (1935) Mickey in Fantasia (1940) Mickey first appeared animated in color in Parade of the Award Nominees in 1932, however, the film strip was created for the 5th Academy Awards ceremony and was not released to the public. Mickey's official first color film came in 1935 with The Band Concert. The Technicolor film process was used in the film production. Here Mickey conducted the William Tell Overture, but the band is swept up by a tornado. It is said that conductor Arturo Toscanini so loved this short that, upon first seeing it, he asked the projectionist to run it again. In 1994, The Band Concert was voted the third-greatest cartoon of all time in a poll of animation professionals. By colorizing and partially redesigning Mickey, Walt would put Mickey back on top once again, and Mickey would reach popularity he never reached before as audiences now gave him more appeal.[25] Also in 1935, Walt would receive a special award from the League of Nations for creating Mickey. However, by 1938, the more manic Donald Duck would surpass the passive Mickey, resulting in a redesign of the mouse between 1938 and 1940 that put Mickey at the peak of his popularity.[25] The second half of the 1930s saw the character Goofy reintroduced as a series regular. Together, Mickey, Donald Duck, and Goofy would go on several adventures together. Several of the films by the comic trio are some of Mickey's most critically acclaimed films, including Mickey's Fire Brigade (1935), Moose Hunters (1937), Clock Cleaners (1937), Lonesome Ghosts (1937), Boat Builders (1938), and Mickey's Trailer (1938). Also during this era, Mickey would star in Brave Little Tailor (1938), an adaptation of The Valiant Little Tailor, which was nominated for an Academy Award. Mickey was redesigned by animator Fred Moore which was first seen in The Pointer (1939). Instead of having solid black eyes, Mickey was given white eyes with pupils, a Caucasian skin colored face, and a pear-shaped body. In the 1940s, he changed once more in The Little Whirlwind, where he used his trademark pants for the last time in decades, lost his tail, got more realistic ears that changed with perspective and a different body anatomy. But this change would only last for a short period of time before returning to the one in "The Pointer", with the exception of his pants. In his final theatrical cartoons in the 1950s, he was given eyebrows, which were removed in the more recent cartoons. In 1940, Mickey appeared in his first feature-length film, Fantasia. His screen role as The Sorcerer's Apprentice, set to the symphonic poem of the same name by Paul Dukas, is perhaps the most famous segment of the film and one of Mickey's most iconic roles. The segment features no dialogue at all, only the music. The apprentice (Mickey), not willing to do his chores, puts on the sorcerer's magic hat after the sorcerer goes to bed and casts a spell on a broom, which causes the broom to come to life and perform the most tiring chore—filling up a deep well using two buckets of water. When the well eventually overflows, Mickey finds himself unable to control the broom, leading to a near-flood. After the segment ends, Mickey is seen in silhouette shaking hands with Leopold Stokowski, who conducts all the music heard in Fantasia. Mickey has often been pictured in the red robe and blue sorcerer's hat in merchandising. It was also featured into the climax of Fantasmic!, an attraction at the Disney theme parks. After 1940, Mickey's popularity would decline until his 1955 re-emergence as a daily children's television personality.[26] Despite this, the character continued to appear regularly in animated shorts until 1943 (winning his only competitive Academy Award—with canine companion Pluto—for a short subject, Lend a Paw) and again from 1946 to 1952. The last regular installment of the Mickey Mouse film series came in 1953 with The Simple Things in which Mickey and Pluto go fishing and are pestered by a flock of seagulls. Television and later films Mickey in Disney's House of Mouse (2001–2003) In the 1950s, Mickey became more known for his appearances on television, particularly with The Mickey Mouse Club. Many of his theatrical cartoon shorts were rereleased on television series such as Ink & Paint Club, various forms of the Walt Disney anthology television series, and on home video. Mickey returned to theatrical animation in 1983 with Mickey's Christmas Carol, an adaptation of Charles Dickens' A Christmas Carol in which Mickey played Bob Cratchit. This was followed up in 1990 with The Prince and the Pauper. Throughout the decades, Mickey Mouse competed with Warner Bros.' Bugs Bunny for animated popularity. But in 1988, the two rivals finally shared screen time in the Robert Zemeckis Disney/Amblin film Who Framed Roger Rabbit. Disney and Warner signed an agreement stating that each character had the same amount of screen time in the scene. Similar to his animated inclusion into a live-action film on Roger Rabbit, Mickey made a featured cameo appearance in the 1990 television special The Muppets at Walt Disney World where he met Kermit the Frog. The two are established in the story as having been old friends. The Muppets have otherwise spoofed and referenced Mickey over a dozen times since the 1970s. Eventually, The Muppets were purchased by the Walt Disney Company in 2004. His most recent theatrical cartoon short was 2013's Get a Horse! which was preceded by 1995's Runaway Brain, while from 1999 to 2004, he appeared in direct-to-video features like Mickey's Once Upon a Christmas, Mickey, Donald, Goofy: The Three Musketeers and the computer-animated Mickey's Twice Upon a Christmas. Many television series have centered on Mickey, such as the ABC shows Mickey Mouse Works (1999–2000), Disney's House of Mouse (2001–2003), Disney Channel's Mickey Mouse Clubhouse (2006–2016), and Mickey and the Roadster Racers (2017–). Prior to all these, Mickey was also featured as an unseen character in the Bonkers episode "You Oughta Be In Toons". Mickey has recently been announced to star in two films. One is being based on the Magic Kingdom theme park at the Walt Disney World Resort, while the other is a film idea pitched by Walt Disney Animation Studios veteran Burny Mattinson centering on Mickey, Donald, and Goofy.[27] Since June 28, 2013, Disney Channel has been airing new 3-minute Mickey Mouse shorts, with animator Paul Rudish at the helm, incorporating elements of Mickey's late twenties-early thirties look with a contemporary twist.[28] The creative team behind the 2017 DuckTales reboot had hoped to have Mickey Mouse in the series, but this idea was rejected by Disney executives.[29] However, this didn't stop them from including a watermelon shaped like Mickey Mouse that Donald Duck made and used like a ventriloquist dummy (to the point where he had perfectly replicated his voice (supplied by Chris Diamantopoulos)) while he was stranded on a deserted island during the season two finale.[30] In August 2018, ABC television announced a two-hour prime time special, Mickey's 90th Spectacular, in honor of Mickey's 90th birthday. The program featured never-before-seen short videos and several other celebrities who wanted to share their memories about Mickey Mouse and performed some of the Disney songs to impress Mickey. The show took place at the Shrine Auditorium in Los Angeles and was produced and directed by Don Mischer on November 4, 2018.[31][32] On November 18, 2018, a 90th anniversary event for the character was celebrated around the world.[33] In December 2019, both Mickey and Minnie served as special co-hosts of Wheel of Fortune for two weeks while Vanna White served as the main host during Pat Sajak's absence.... Mickey first appeared in comics after he had appeared in 15 commercially successful animated shorts and was easily recognized by the public. Walt Disney was approached by King Features Syndicate with the offer to license Mickey and his supporting characters for use in a comic strip. Disney accepted and Mickey Mouse made its first appearance on January 13, 1930. The comical plot was credited to Disney himself, art to Ub Iwerks and inking to Win Smith. The first week or so of the strip featured a loose adaptation of "Plane Crazy". Minnie soon became the first addition to the cast. The strips first released between January 13, 1930, and March 31, 1930, has been occasionally reprinted in comic book form under the collective title "Lost on a Desert Island". Animation historian Jim Korkis notes "After the eighteenth strip, Iwerks left and his inker, Win Smith, continued drawing the gag-a-day format..."[36] In early 1930, after Iwerks' departure, Disney was at first content to continue scripting the Mickey Mouse comic strip, assigning the art to Win Smith. However, Disney's focus had always been in animation and Smith was soon assigned with the scripting as well. Smith was apparently discontent at the prospect of having to script, draw, and ink a series by himself as evidenced by his sudden resignation. Disney then searched for a replacement among the remaining staff of the Studio. He selected Floyd Gottfredson, a recently hired employee. At the time Gottfredson was reportedly eager to work in animation and somewhat reluctant to accept his new assignment. Disney had to assure him the assignment was only temporary and that he would eventually return to animation. Gottfredson accepted and ended up holding this "temporary" assignment from May 5, 1930, to November 15, 1975. Walt Disney's last script for the strip appeared May 17, 1930.[36] Gottfredson's first task was to finish the storyline Disney had started on April 1, 1930. The storyline was completed on September 20, 1930, and later reprinted in comic book form as Mickey Mouse in Death Valley. This early adventure expanded the cast of the strip which to this point only included Mickey and Minnie. Among the characters who had their first comic strip appearances in this story were Clarabelle Cow, Horace Horsecollar, and Black Pete as well as the debuts of corrupted lawyer Sylvester Shyster and Minnie's uncle Mortimer Mouse. The Death Valley narrative was followed by Mr. Slicker and the Egg Robbers, first printed between September 22 and December 26, 1930, which introduced Marcus Mouse and his wife as Minnie's parents. Starting with these two early comic strip stories, Mickey's versions in animation and comics are considered to have diverged from each other. While Disney and his cartoon shorts would continue to focus on comedy, the comic strip effectively combined comedy and adventure. This adventurous version of Mickey would continue to appear in comic strips and later comic books throughout the 20th and into the 21st century. Floyd Gottfredson left his mark with stories such as Mickey Mouse Joins the Foreign Legion (1936) and The Gleam (1942). He also created the Phantom Blot, Eega Beeva, Morty and Ferdie, Captain Churchmouse, and Butch. Besides Gottfredson artists for the strip over the years included Roman Arambula, Rick Hoover, Manuel Gonzales, Carson Van Osten, Jim Engel, Bill Wright, Ted Thwailes and Daan Jippes; writers included Ted Osborne, Merrill De Maris, Bill Walsh, Dick Shaw, Roy Williams, Del Connell, and Floyd Norman. The next artist to leave his mark on the character was Paul Murry in Dell Comics. His first Mickey tale appeared in 1950 but Mickey did not become a specialty until Murry's first serial for Walt Disney's Comics and Stories in 1953 ("The Last Resort"). In the same period, Romano Scarpa in Italy for the magazine Topolino began to revitalize Mickey in stories that brought back the Phantom Blot and Eega Beeva along with new creations such as the Atomo Bleep-Bleep. While the stories at Western Publishing during the Silver Age emphasized Mickey as a detective in the style of Sherlock Holmes, in the modern era several editors and creators have consciously undertaken to depict a more vigorous Mickey in the mold of the classic Gottfredson adventures. This renaissance has been spearheaded by Byron Erickson, David Gerstein, Noel Van Horn, Michael T. Gilbert and César Ferioli. In Europe, Mickey Mouse became the main attraction of a number of comics magazines, the most famous being Topolino in Italy from 1932 onward, Le Journal de Mickey in France from 1934 onward, Don Miki in Spain and the Greek Miky Maous. Mickey was the main character for the series MM Mickey Mouse Mystery Magazine, published in Italy from 1999 to 2001. In 2006, he appeared in the Italian fantasy comic saga Wizards of Mickey. In 1958, Mickey Mouse was introduced to the Arab world through another comic book called “Sameer”. He became very popular in Egypt and got a comic book with his name. Mickey's comics in Egypt are licensed by Disney and were published since 1959 by “Dar Al-Hilal” and they were success, however Dar Al-Hilal stopped the publication in 2003 because of problems with Disney. The comics were re-released by "Nahdat Masr" in 2004 and the first issues were sold out in less than 8 hours.[37] Portrayal Design This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Mickey Mouse" – news · newspapers · books · scholar · JSTOR (May 2017) (Learn how and when to remove this template message) The silhouette of Mickey Mouse's head has become an iconic image. Throughout the earlier years, Mickey's design bore heavy resemblance to Oswald, save for the ears, nose, and tail.[38][39][40] Ub Iwerks designed Mickey's body out of circles in order to make the character simple to animate. Disney employees John Hench and Marc Davis believed that this design was part of Mickey's success as it made him more dynamic and appealing to audiences. Mickey's circular design is most noticeable in his ears. In animation in the 1940s, Mickey's ears were animated in a more realistic perspective. Later, they were drawn to always appear circular no matter which way Mickey was facing. This made Mickey easily recognizable to audiences and made his ears an unofficial personal trademark. The circular rule later created a dilemma for toy creators who had to recreate a three-dimensional Mickey. In 1938, animator Fred Moore redesigned Mickey's body away from its circular design to a pear-shaped design. Colleague Ward Kimball praised Moore for being the first animator to break from Mickey's "rubber hose, round circle" design. Although Moore himself was nervous at first about changing Mickey, Walt Disney liked the new design and told Moore "that's the way I want Mickey to be drawn from now on." Each of Mickey's hands has only three fingers and a thumb. Disney said that this was both an artistic and financial decision, explaining "Artistically five digits are too many for a mouse. His hand would look like a bunch of bananas. Financially, not having an extra finger in each of 45,000 drawings that make up a six and one-half minute short has saved the Studio millions." In the film The Opry House (1929), Mickey was first given white gloves as a way of contrasting his naturally black hands against his black body. The use of white gloves would prove to be an influential design for cartoon characters, particularly with later Disney characters, but also with non-Disney characters such as Bugs Bunny, Woody Woodpecker, Mighty Mouse, and Mario. Mickey's eyes, as drawn in Plane Crazy and The Gallopin' Gaucho, were large and white with black outlines. In Steamboat Willie, the bottom portion of the black outlines was removed, although the upper edges still contrasted with his head. Mickey's eyes were later re-imagined as only consisting of the small black dots which were originally his pupils, while what were the upper edges of his eyes became a hairline. This is evident only when Mickey blinks. Fred Moore later redesigned the eyes to be small white eyes with pupils and gave his face a Caucasian skin tone instead of plain white. This new Mickey first appeared in 1938 on the cover of a party program, and in animation the following year with the release of The Pointer.[41] Mickey is sometimes given eyebrows as seen in The Simple Things (1953) and in the comic strip, although he does not have eyebrows in his subsequent appearances.[citation needed] Some of Mickey's early appearance, particularly the gloves, and facial characteristics, evolved from blackface caricatures used in minstrel shows.[42][43][44][45][46] Besides Mickey's gloves and shoes, he typically wears only a pair of shorts with two large buttons in the front. Before Mickey was seen regularly in color animation, Mickey's shorts were either red or a dull blue-green. With the advent of Mickey's color films, the shorts were always red. When Mickey is not wearing his red shorts, he is often still wearing red clothing such as a red bandmaster coat (The Band Concert, The Mickey Mouse Club), red overalls (Clock Cleaners, Boat Builders), a red cloak (Fantasia, Fun and Fancy Free), a red coat (Squatter's Rights, Mickey's Christmas Carol), or a red shirt (Mickey Down Under, The Simple Things). Voice actors Walt Disney (1901–1966), the co-creator of Mickey Mouse and founder of The Walt Disney Company, was the original voice of Mickey. A large part of Mickey's screen persona is his famously shy, falsetto voice. From 1928 onward, Mickey was voiced by Walt Disney himself, a task in which Disney took great personal pride. Composer Carl W. Stalling was the very first person to provide lines for Mickey in the 1929 short The Karnival Kid, and J. Donald Wilson and Joe Twerp provided the voice in some 1938 broadcasts of The Mickey Mouse Theater of the Air,[47] although Disney remained Mickey's official voice during this period. However, by 1946, Disney was becoming too busy with running the studio to do regular voice work which meant he could not do Mickey's voice on a regular basis anymore. It is also speculated that his cigarette habit had damaged his voice over the years.[citation needed] After recording the Mickey and the Beanstalk section of Fun and Fancy Free, Mickey's voice was handed over to veteran Disney musician and actor Jimmy MacDonald. Walt would reprise Mickey's voice occasionally until his passing in 1966, such as in the introductions to the original 1955–1959 run of The Mickey Mouse Club TV series, the "Fourth Anniversary Show" episode of the Walt Disney's Disneyland TV series that aired on September 11, 1957 and the Disneyland USA at Radio City Music Hall show from 1962.[48] MacDonald voiced Mickey in most of the remaining theatrical shorts and for various television and publicity projects up until his retirement in 1977. However, other actors would occasionally play the role during this era. Clarence Nash, the voice of Donald Duck, provided the voice in some of Mickey's later theatrical shorts, such as R'coon Dawg and Pluto's Party.[49] Stan Freberg voiced Mickey in the Freberg-produced record Mickey Mouse's Birthday Party. Alan Young voiced Mickey in the Disneyland record album An Adaptation of Dickens' Christmas Carol, Performed by The Walt Disney Players in 1974.[50][51] The 1983 short film Mickey's Christmas Carol marked the theatrical debut of Wayne Allwine as Mickey Mouse, who was the official voice of Mickey from 1977 until his death in 2009.[52] Allwine once recounted something MacDonald had told him about voicing Mickey: "The main piece of advice that Jim gave me about Mickey helped me keep things in perspective. He said, 'Just remember kid, you're only filling in for the boss.' And that's the way he treated doing Mickey for years and years. From Walt, and now from Jimmy."[53] In 1991, Allwine married Russi Taylor, the voice of Minnie Mouse from 1986 until her death in 2019. Les Perkins did the voice of Mickey in two TV specials, "Down and Out with Donald Duck" and "DTV Valentine", in the mid-1980s. Peter Renaday voiced Mickey in the 1980s Disney albums Yankee Doodle Mickey and Mickey Mouse Splashdance.[54][55] He also provided his voice for The Talking Mickey Mouse toy in 1986.[56][57] Quinton Flynn briefly filled in for Allwine as the voice of Mickey in a few episodes of the first season of Mickey Mouse Works whenever Allwine was unavailable to record.[58] Bret Iwan, a former Hallmark greeting card artist, is the current voice of Mickey. Iwan was originally cast as an understudy for Allwine due to the latter's declining health; however, Allwine died before Iwan could meet him and Iwan became the new official voice of the character. Iwan's early recordings in 2009 included work for the Disney Cruise Line, Mickey toys, the Disney theme parks and the Disney on Ice: Celebrations! ice show.[59] He directly replaced Allwine as Mickey for the Kingdom Hearts video game series and the TV series Mickey Mouse Clubhouse. His first video game voice-over of Mickey Mouse can be heard in Kingdom Hearts: Birth by Sleep. Iwan also became the first voice actor to portray Mickey during Disney's rebranding of the character, providing the vocal effects of Mickey in Epic Mickey as well as his voice in Epic Mickey 2: The Power of Two and the remake of Castle of Illusion. Despite Iwan being Mickey's primary voice actor, the character's voice is provided by Chris Diamantopoulos in the 2013 animated series[60] and the 2017 DuckTales reboot (in the form of a watermelon that Donald uses as a ventriloquist dummy) as the producers were looking for a voice closer to Walt Disney's portrayal of the character in order to match the vintage look of that series.[61] Merchandising Since his early years, Mickey Mouse has been licensed by Disney to appear on many different kinds of merchandise. Mickey was produced as plush toys and figurines, and Mickey's image has graced almost everything from T-shirts to lunchboxes. Largely responsible for Disney merchandising in the 1930s was Kay Kamen (1892–1949) who was called a "stickler for quality." Kamen was recognized by The Walt Disney Company as having a significant part in Mickey's rise to stardom and was named a Disney Legend in 1998.[62] At the time of his 80th-anniversary celebration in 2008, Time declared Mickey Mouse one of the world's most recognized characters, even when compared against Santa Claus.[63] Disney officials have stated that 98% of children aged 3–11 around the world are at least aware of the character.[63] Disney parks HKMickeyMinnieMainStreetSummer07.JPG Disneyland park - Anaheim Los Angeles California USA (9894366226).jpg Minnie and Mickey at Hong Kong Disneyland (top) and Mickey's house at Mickey's Toontown (bottom) As the official Walt Disney mascot, Mickey has played a central role in the Disney parks since the opening of Disneyland in 1955. As with other characters, Mickey is often portrayed by a non-speaking costumed actor. In this form, he has participated in ceremonies and countless parades. A popular activity with guests is getting to meet and pose for photographs with the mouse. As of the presidency of Barack Obama (who jokingly referred to him as "a world leader who has bigger ears than me")[64] Mickey has met every U.S. President since Harry Truman, with the exception of Lyndon B. Johnson.[40] Mickey also features in several specific attractions at the Disney parks. Mickey's Toontown (Disneyland and Tokyo Disneyland) is a themed land which is a recreation of Mickey's neighborhood. Buildings are built in a cartoon style and guests can visit Mickey or Minnie's houses, Donald Duck's boat, or Goofy's garage. This is a common place to meet the characters.[65] Mickey's PhilharMagic (Magic Kingdom, Tokyo Disneyland, Hong Kong Disneyland) is a 4D film which features Mickey in the familiar role of symphony conductor. At Main Street Cinema several of Mickey's short films are shown on a rotating basis; the sixth film is always Steamboat Willie. Mickey plays a central role in Fantasmic! (Disneyland Resort, Disney's Hollywood Studios) a live nighttime show which famously features Mickey in his role as the Sorcerer's Apprentice. Mickey was also a central character in the now-defunct Mickey Mouse Revue (Magic Kingdom, Tokyo Disneyland) which was an indoor show featuring animatronic characters. Mickey's face currently graces the Mickey's Fun Wheel at Disney California Adventure Park, where a figure of him also stands on top of Silly Symphony Swings. In addition to Mickey's overt presence in the parks, numerous images of him are also subtly included in sometimes unexpected places. This phenomenon is known as "Hidden Mickey", involving hidden images in Disney films, theme parks, and merchandise. Video games Main article: List of Disney video games (Mickey Mouse games) Like many popular characters, Mickey has starred in many video games, including Mickey Mousecapade on the Nintendo Entertainment System, Mickey Mania: The Timeless Adventures of Mickey Mouse, Mickey's Ultimate Challenge, and Disney's Magical Quest on the Super Nintendo Entertainment System, Castle of Illusion Starring Mickey Mouse on the Mega Drive/Genesis, Mickey Mouse: Magic Wands! on the Game Boy, and many others. In the 2000s, the Disney's Magical Quest series were ported to the Game Boy Advance, while Mickey made his sixth generation era debut in Disney's Magical Mirror Starring Mickey Mouse, a Nintendo GameCube title aimed at younger audiences. Mickey plays a major role in the Kingdom Hearts series, as the king of Disney Castle and aide to the protagonist, Sora. King Mickey wields the Keyblade, a weapon in the form of a key that has the power to open any lock and combat darkness. Epic Mickey, featuring a darker version of the Disney universe, was released in 2010 for the Wii. The game is part of an effort by The Walt Disney Company to re-brand the Mickey Mouse character by moving away from his current squeaky clean image and reintroducing the mischievous side of his personality.[3] Watches and clocks A 1933 Ingersoll Mickey Mouse wristwatch Mickey was most famously featured on wristwatches and alarm clocks, typically utilizing his hands as the actual hands on the face of the clock. The first Mickey Mouse watches were manufactured in 1933 by the Ingersoll Watch Company. The seconds were indicated by a turning disk below Mickey. The first Mickey watch was sold at the Century of Progress in Chicago, 1933 for $3.75 (equivalent to $74 in 2019). Mickey Mouse watches have been sold by other companies and designers throughout the years, including Timex, Elgin, Helbros, Bradley, Lorus, and Gérald Genta[66] The fictional character Robert Langdon from Dan Brown's novels was said to wear a Mickey Mouse watch as a reminder "to stay young at heart."[67] Other products In 1989, Milton Bradley released the electronic talking game titled Mickey Says, with three modes featuring Mickey Mouse as its host. Mickey also appeared in other toys and games, including the Worlds of Wonder released The Talking Mickey Mouse. Fisher-Price has recently produced a line of talking animatronic Mickey dolls including "Dance Star Mickey" (2010)[68] and "Rock Star Mickey" (2011).[69] In total, approximately 40% of Disney's revenues for consumer products are derived from Mickey Mouse merchandise, with revenues peaking in 1997" (wikipedia.org) "Donald Fauntleroy Duck[1] is a cartoon character created in 1934 at Walt Disney Productions. Donald is an anthropomorphic white duck with a yellow-orange bill, legs, and feet. He typically wears a sailor shirt and cap with a bow tie. Donald is known for his semi-intelligible speech and his mischievous and temperamental personality. Along with his friend Mickey Mouse, Donald was included in TV Guide's list of the 50 greatest cartoon characters of all time in 2002.[2] He has appeared in more films than any other Disney character,[3] and is the most published comic book character in the world outside of the superhero genre.[4] Donald Duck appeared in comedic roles in animated cartoons. Donald's first appearance was in The Wise Little Hen (1934), but it was his second appearance in Orphan's Benefit that introduced him as a temperamental comic foil to Mickey Mouse. Throughout the next two decades, Donald appeared in over 150 theatrical films, several of which were recognized at the Academy Awards. In the 1930s, he typically appeared as part of a comic trio with Mickey and Goofy and was given his own film series starting with Don Donald (1937). These films introduced Donald's love interest Daisy Duck and often included his three nephews Huey, Dewey, and Louie. After the film Chips Ahoy (1956), Donald appeared primarily in educational films before eventually returning to theatrical animation in Mickey's Christmas Carol (1983). His last appearance in a theatrical film was in Fantasia 2000 (1999). However, since then Donald has appeared in direct-to-video features such as Mickey, Donald, Goofy: The Three Musketeers (2004), television series such as Mickey Mouse Clubhouse (2006–2016), and video games such as QuackShot (1991).[5] Beyond animation, Donald is primarily known for his appearances in comics. Donald was most famously drawn by Al Taliaferro, Carl Barks, and Don Rosa. Barks, in particular, is credited for greatly expanding the "Donald Duck universe", the world in which Donald lives, and creating many additional characters such as Donald's rich uncle Scrooge McDuck. Donald has been a popular character in Europe, particularly in Nordic countries where his weekly magazine Donald Duck & Co [no] was the comics publication with the highest circulation from the 1950s to 2009. In Italy, Donald is a major character in many comics in which his juvenile version Paperino Paperotto and his superhero alter ego Paperinik (Duck Avenger in the US and Superduck in the UK) were created.... Origin The first mention of Donald Duck was made in 1931 for the storybook The Adventures of Mickey Mouse, as one of Mickey's barnyard friends. The character featured in the cover is much different from the modern Donald Duck, being drawn more like a normal duck and sporting a green hat and pants.[6] The origins of Donald Duck's name may have been inspired by Australian cricket legend Donald Bradman. In 1932, Bradman and the Australian team were touring North America and he made the news after being dismissed for a duck against New York West Indians. Walt Disney was in the process of creating a friend for Mickey Mouse when he possibly read about Bradman's dismissal in the papers and decided to name the new character "Donald Duck".[7] Voice performer Clarence Nash auditioned for Walt Disney Studios when he learned that Disney was looking for people to create animal sounds for his cartoons. Disney was particularly impressed with Nash's duck imitation and chose him to voice the new character. Besides, during that period Mickey Mouse had lost some of his edge since becoming a role model towards children, and so Disney wanted to create a character to portray some of the more negative character traits that could no longer be bestowed on Mickey. Disney came up with Donald's iconic attributes including his short temper and his sailor suit (based on ducks and sailors both being associated with water).[8] While Dick Huemer and Art Babbit were the first to animate Donald, Dick Lundy is credited for developing him as a character.... Personality Orphans' Benefit (remake) (1941); Donald is known for his explosive temper. Donald's two dominant personality traits are his fiery temper and his upbeat attitude to life. Many Donald shorts start with Donald in a happy mood, without a care in the world until something comes along and spoils his day. His rage is a great cause of suffering in his life. On multiple occasions, it has caused him to get in over his head and lose competitions. There are times when he fights to keep his temper in check, and he sometimes succeeds in doing so temporarily, but he always returns to his normal angry self in the end. Donald's vicious nature has its advantages, however. While at times it is a hindrance, and even a handicap, it has also helped him in times of need. When faced with a threat of some kind, for example, Pete's attempts to intimidate him, he is initially scared, but his fear is replaced by anger. As a result, instead of running away, he fights—with ghosts, sharks, mountain goats, giant kites, and even the forces of nature. More often than not, when he fights, he comes out on top. Donald is something of a prankster, and as a result, he can sometimes come across as a bit of a bully, especially in the way he sometimes treats Chip n' Dale and Huey, Dewey and Louie, his nephews. As the animator Fred Spencer has put it: The Duck gets a big kick out of imposing on other people or annoying them, but he immediately loses his temper when the tables are turned. In other words, he can dish it out, but he can't take it.[12] However, with a few exceptions, there is seldom any harm in Donald's pranks. He almost never intends to hurt anyone, and whenever his pranks go too far, he is always very apologetic. In Truant Officer Donald, for example, when he is tricked into believing he has accidentally killed Huey, Dewey, and Louie, he shows great regret, blaming himself. His nephews appear in the form of angels, and he willingly endures a kick by one of them—that is, of course, until he realizes he has been tricked, whereupon he promptly loses his temper. Donald is also a bit of a poseur. He likes to brag, especially about how skilled he is at something. He does, in fact, have many skills—he is something of a Jack-of-all-trades. Amongst other things, he is a talented fisher and a competent hockey player. However, his love of bragging often leads him to overestimate his abilities, so that when he sets out to make good on his boasts, he gets in over his head, usually to hilarious effect. Another of his personality traits is perseverance. Even though he can at times be a slacker, and likes to say that his favorite place to be is in a hammock, once he has committed to accomplishing something he goes for it 100 percent, sometimes resorting to extreme measures to reach his goal. Phrases Donald has a few memorable phrases that he occasionally comes out with in certain situations. For example, when he stumbles across other characters in the midst of planning some sort of retaliation or prank, or when things don't go as he'd planned or don't work properly, he often says, "What's the big idea!?". When he has given up on something he's been trying to do, or something he's been hoping will happen, he tends to say, "Aw, phooey!". When he confronts someone who's been antagonizing him or something that's been frustrating him, he likes to exclaim, "So!!". He greets his girlfriend Daisy, and occasionally others, with, "Hiya, toots!". And when he's very excited about something, he usually mutters, "Oh boy, oh boy, oh boy..." under his breath. (These phrases are also said by Woody Woodpecker.) Health There's a running gag in the Donald Duck comics about him being physically unhealthy and unmotivated to exercise. Usually, some character close to Donald annoys him by saying he is being lazy and needs to get some exercise. But despite his apparent idleness, Donald proves that he is muscular. In the short film, Sea Scouts, Donald is traveling with his nephews in a boat when it's attacked by a shark. Donald makes several attempts to defeat the shark, each of which proves ineffective, but then finally triumphs and defeats the shark with a single well-placed punch. Additionally, as discussed below- Donald had a stint in the U.S. Army during World War II that culminated with him serving as a commando in the film Commando Duck, and he was frequently away serving in the U.S. Navy in the television cartoon series DuckTales. Friendly rivalry with Mickey Mouse Throughout his appearances, Donald has shown that he's jealous of Mickey and wants his job as Disney's greatest star, similar to the rivalry between Bugs Bunny and Daffy Duck. In most Disney theatrical cartoons, Mickey and Donald are shown as friends and have little to no rivalry (exceptions being The Band Concert, Magician Mickey and near the end of Symphony Hour, which were due to Donald's antagonistic schemes). However, by the time The Mickey Mouse Club aired on television (after Bugs vs. Daffy cartoons such as the "hunting trilogy" of Rabbit Fire, Rabbit Seasoning, and Duck! Rabbit, Duck!), it was shown that Donald always wanted the spotlight. One animated short that rivaled the Mickey Mouse March song was showing Huey, Dewey, and Louie as Boy Scouts and Donald as their Scoutmaster at a cliff near a remote forest and Donald leads them in a song mirroring the Mouseketeers theme "D-O-N-A-L-D D-U-C-K! Donald Duck!" The rivalry would cause Donald some problems, in a 1988 TV special, where Mickey is cursed by a sorcerer to become unnoticed, the world believes Mickey to be kidnapped. Donald Duck is then arrested for the kidnapping of Mickey, as he is considered to be the chief suspect, due to their feud. However, Donald did later get the charges dismissed, due to lack of evidence. Walt Disney, in his Wonderful World of Color, would sometimes make reference to the rivalry. Walt, one time, had presented Donald with a gigantic birthday cake and commented how it was "even bigger than Mickey's", which pleased Donald. The clip was rebroadcast in November 1984 during a TV special honoring Donald's 50th birthday, with Dick Van Dyke substituting for Walt. The rivalry between Mickey and Donald was shown in Disney's House of Mouse. It was shown that Donald wanted to be the Club's founder and wanted to change the name from House of Mouse to House of Duck, which is obvious in the episodes "The Stolen Cartoons" and "Timon and Pumbaa". In the episode "Everybody Loves Mickey", Donald's jealousy is explored and even joins sides with Mortimer Mouse. However, Donald has a change of heart when Daisy reminds Donald how Mickey has always been there to support him. Since then, Donald accepted that Mickey was the founder and worked with Mickey as a partner to make the club profitable and successful. Enemies Donald has numerous enemies, who range from comical foil to annoying nemesis: Chip 'n' Dale, Pete, Humphrey the Bear, Spike The Bee, Mountain Lion Louie, Bootle Beetle, Witch Hazel (in Trick or Treat), Aracuan Bird and Baby Shelby (in Mickey Mouse Works). During the Second World War, Donald was often set against Adolf Hitler.[13] In the comics, he is often harassed or on the run from the Beagle Boys, Magica De Spell, Gladstone Gander and Mr. Jones. In the video game Donald Duck: Goin' Quackers, he saves Daisy from Merlock. The Italian-produced comic PKNA – Paperinik New Adventures stars Donald Duck as Paperinik, or Duck Avenger, in his battles against new alien enemies: Evronian Empire, founded by emperor Evron. Animation Appearances Further information: Donald Duck filmography Donald Duck as he first appeared in The Wise Little Hen (1934) Donald Duck first appeared in the 1934 cartoon The Wise Little Hen which was part of the Silly Symphonies series of theatrical cartoon shorts. The film's release date of June 9 is officially recognized by the Walt Disney Company as Donald's birthday[14] despite a couple of in-universe contradictions.[15] Donald's appearance in the cartoon, as created by animator Dick Lundy, is similar to his modern look – the feather and beak colors are the same, as are the blue sailor shirt and hat – but his features are more elongated, his body plumper, his feet smaller, and his sclerae white. Donald's personality is not developed either; in the short, he only fills the role of the unhelpful friend from the original story. Burt Gillett brought Donald back in his Mickey Mouse cartoon, Orphan's Benefit, released August 11, 1934. Donald is one of a number of characters who are giving performances in a benefit for Mickey's Orphans.[16] Donald's act is to recite the poems Mary had a little lamb and Little Boy Blue, but every time he tries, the mischievous orphans heckle him, leading the duck to fly into a squawking fit of anger. This explosive personality would remain with Donald for decades to come. Donald continued to be a hit with audiences. The character began appearing regularly in most Mickey Mouse cartoons. Cartoons from this period, such as the cartoon The Band Concert (1935) – in which Donald repeatedly disrupts the Mickey Mouse Orchestra's rendition of The William Tell Overture by playing Turkey in the Straw – are regularly noted by critics as exemplary films and classics of animation. Animator Ben Sharpsteen also created the classic Mickey, Donald, and Goofy comedy in 1935, with the cartoon Mickey's Service Station.[16] Donald was redesigned to be a bit fuller, rounder, and cuter, the first to feature this design was the cartoon Moving Day (1936). He also began starring in solo cartoons, the first of which was January 9, 1937, Ben Sharpsteen's cartoon, Don Donald. This short also introduced a love interest of Donald's, Donna Duck, who evolved into Daisy Duck.[17] Donald's nephews, Huey, Dewey and Louie, would make their first animated appearance a year later in the April 15, 1938, in the film, Donald's Nephews, directed by Jack King (they had been earlier introduced in the Donald Duck comic strip by Al Taliaferro, see below). By 1938, most polls showed that Donald was more popular than Mickey Mouse.[18] Disney could, however, help Mickey regain his former position by redesigning him, giving him his most appealing design in the Fantasia (1940) segment "The Sorcerer's Apprentice", production for which began in 1938. After his early appearances, he went on to become part of the famed trio Mickey, Donald, and Goofy. He appeared in many of the cartoons, including Moving Day. Wartime Donald worked in a Nazi factory in Der Fuehrer's Face (1943) Several of Donald's shorts during the war were propaganda films, including Der Fuehrer's Face, released on January 1, 1943. In it, Donald plays a worker in an artillery factory in "Nutzi Land" (Nazi Germany). He struggles with long working hours, very small food rations,[19] and having to salute every time he sees a picture of the Führer (Adolf Hitler). These pictures appear in many places, such as on the assembly line in which he is screwing in the detonators of various sizes of shells. In the end, he becomes little more than a small part in a faceless machine with no choice but to obey until he falls, suffering a nervous breakdown. Then Donald wakes up to find that his experience was, in fact, a dream. At the end of the short, Donald looks to the Statue of Liberty and the American flag with renewed appreciation. Der Fuehrer's Face won the 1942 Academy Award for Animated Short Film. Der Fuehrer's Face was also the first of two animated short films to be set during the War to win an Oscar, the other being Tom and Jerry's short film, The Yankee Doodle Mouse.[20] Other shorts from this period include a seven film mini-series that follows Donald's life in the U.S. Army from his drafting to his experiences in basic training under Sergeant Pete to his first actual mission as a commando having to sabotage a Japanese air base. Titles in the series include: Donald Gets Drafted (May 1, 1942) (shown in his Selective Service Draft Card close-up, we learn Donald's full name: Donald Fauntleroy Duck)[21] The Vanishing Private (September 25, 1942) Sky Trooper (November 8, 1942) Fall Out Fall In (April 23, 1943) The Old Army Game (November 5, 1943) Commando Duck (June 2, 1944) Thanks in part to these films, Donald graced the nose artwork of virtually every type of World War II Allied combat aircraft, from the L-4 Grasshopper to the B-29 Superfortress.[22] Donald also appears as a mascot—such as in the United States Army Air Forces' 309th Fighter Squadron[23] and the U.S. Coast Guard Auxiliary, which showed Donald as a fierce-looking pirate ready to defend the American coast from invaders.[24] Donald also appeared as a mascot emblem for the 415th Fighter Squadron; 438th Fighter Squadron; 479th Bombardment Squadron; and 531st Bombardment Squadron. He also appeared as the mascot for the Fire Department at Marine Corps Air Station El Toro, as well as the Army Air Forces (now currently the United States Air Force) 319 Aircraft Maintenance Unit at Luke Air Force Base- where he is seen wearing an old-style pilot's uniform with a board with a nail in it in one hand, and a lightning bolt in the other hand. Donald's most famous appearance, however, was on the North American Aviation B-25B Mitchell medium bomber (S/N 40-2261) piloted by Lt. Ted W. Lawson of the 95th Bombardment Squadron, USAAF. The aircraft, named the "Ruptured Duck" and carrying a picture of Donald's face above a pair of crossed crutches, was one of sixteen B-25Bs which took off from the aircraft carrier USS Hornet to bomb Tokyo on April 18, 1942 during the Doolittle Raid. The mission was led by Lieutenant Colonel (later General) Jimmy Doolittle. Like most of the aircraft that participated in the mission, the Ruptured Duck was unable to reach its assigned landing field in China following the raid and ended up ditching off the coast near Shangchow, China. The Ruptured Duck's pilot survived, with the loss of a leg, and later wrote about the Doolittle Raid in the book, later to be the 1944 movie, Thirty Seconds Over Tokyo. During World War II, Disney cartoons were not allowed to be imported into Occupied Europe owing to their propagandistic content. Since this lost Disney revenue, he decided to create a new audience for his films in South America. He decided to make a trip through various Latin American countries with his assistants, and use their experiences and impressions to create two feature-length animation films. The first was Saludos Amigos (1942), which consisted of four short segments, two of them with Donald Duck. In the first, he meets his parrot pal José Carioca. The second film was The Three Caballeros (1944), in which he meets his rooster friend Panchito. Several decades after the war, on account of the fact that Donald was never officially separated from service in either his animated shorts or his comic strips. As part of Donald's 50th Birthday celebrations during the 25th Annual Torrance, California Armed Forces Day Parade, the U.S. Army retired Donald Duck from active duty as a "Buck Sergeant"[25] (i.e. "Buck Sergeant Duck").[26] Post-war Many of Donald's films made after the war recast the duck as the brunt of some other character's pestering. Donald is seen repeatedly attacked, harassed, and ridiculed by his nephews, by the chipmunks Chip 'n' Dale, or by other characters such as Humphrey the Bear, Spike the Bee, Bootle Beetle, the Aracuan Bird, Louie the Mountain Lion, or a colony of ants. In effect, much like Bugs Bunny cartoons from Warner Bros. the Disney artists had reversed the classic screwball scenario perfected by Walter Lantz and others in which the main character is the instigator of these harassing behaviors, rather than the butt of them. The post-war Donald also starred in educational films, such as Donald in Mathmagic Land and How to Have an Accident at Work (both 1959), and made cameos in various Disney projects, such as The Reluctant Dragon (1941) and the Disneyland television show (1959). For this latter show, Donald's uncles Ludwig von Drake (1961) and Scrooge McDuck (1967) were then created in animation. In Who Framed Roger Rabbit (1988), Donald has a piano duel scene with his Warner Brothers counterpart and rival Daffy Duck voiced by Mel Blanc. Donald has since appeared in several different television shows and (short) animated movies. He played roles in The Prince and the Pauper (1990) and made a cameo appearance in A Goofy Movie (1995). Donald had a rather small part in the animated television series DuckTales. There, Donald joins the U.S. Navy and leaves his nephews Huey, Dewey, and Louie with their Uncle Scrooge, who then has to take care of them. Donald's role in the overall series was fairly limited, as he only ended up appearing in a handful of episodes when home on leave. Some of the stories in the series were loosely based on the comics by Carl Barks. Donald made some cameo appearances in Bonkers, before getting his own television show Quack Pack. This series featured a modernized Duck family. Donald was no longer wearing his sailor suit and hat, but a Hawaiian shirt. Huey, Dewey, and Louie now are teenagers, with distinct clothing, voices, and personalities. Daisy Duck has lost her pink dress and bow and has a new haircut. No other family members, besides Ludwig von Drake, appear in Quack Pack, and all other Duckburg citizens are humans and not dogs. He made a comeback as the star of the "Noah's Ark" segment of Fantasia 2000 (1999), as first mate to Noah. Donald musters the animals to the Ark and attempts to control them. He tragically believes that Daisy has been lost, while she believes the same of him, but they are reunited at the end. All this to Edward Elgar's Pomp and Circumstance Marches 1–4. In an alternate opening for the Disney film Chicken Little (2005), Donald would have made a cameo appearance as "Ducky Lucky". This scene can be found on the Chicken Little DVD. Donald in Mickey Mouse Clubhouse. Donald also played an important role in Mickey Mouse Works and House of Mouse. In the latter show, he is the co-owner of Mickey's nightclub. He is part of the ensemble cast of characters in the TV show Mickey Mouse Clubhouse as well. He also appears in the new 3-minute Mickey Mouse TV shorts for Disney Channel. Donald also appears in the DuckTales reboot, in which he is the main character as opposed to his minor role in the original cartoon. The series depicts him as having once been Scrooge's partner in adventure, apparently along with his sister; however, ten years prior to the series' beginning they went their separate ways and didn't speak throughout that time. Donald later reluctantly brings the triplets-whom he is the guardian of-to Scrooge's mansion so he can babysit them, though he clearly hasn't forgiven Scoorge for their past history. He ends up being hired by Scrooge's rival Flintheart Glomgold and ends up at the city of Atlantis, where Scrooge has also brought the boys; after some initial conflict Scrooge offers to let them stay with him in his mansion. Donald owns a boat in the series, which is relocated to Scrooge's pool at the conclusion of the series premiere. Voice actors Tony Anselmo and Clarence Nash. Donald's first voice was performed by Clarence Nash, who voiced him for 50 years.[27] Nash voiced Donald for the last time in Mickey's Christmas Carol (1983), making Donald the only character in the film to be voiced by his original voice actor. He did, however, continue to provide Donald's voice for commercials, promos, and other miscellaneous material until he died in 1985. Since Nash died, Donald's voice has been performed by Disney animator, Tony Anselmo, who was mentored by Nash for the role.[28] Anselmo's first performance as Donald is heard in a 1986 D-TV special, D-TV Valentine on The Disney Channel, and in his first feature film, Who Framed Roger Rabbit, in 1988. Walt Disney insisted on character consistency, and integrity. As long as Clarence was alive no one other than Clarence was permitted to provide Donald's voice. Continuing in that tradition, in 1988 Roy E. Disney created the department of Disney Character Voices to insure continuation of character integrity, consistency, and quality in recording methods. Roy named one official voice for all Walt Disney legacy characters. Tony Anselmo was named by Roy E. Disney as Disney's official voice of Donald Duck. For the TV series Mickey and the Roadster Racers, Donald is voiced by voice actor Daniel Ross,[29][30] while Anselmo continues as the official voice of Donald on all other Disney projects, DuckTales, Mickey Mouse shorts, Legend of the Three Caballeros, Kingdom Hearts III, Disney Parks, attractions, and consumer products. Comics Main article: Donald Duck in comics While Donald's cartoons continue to be shown in the United States and around the world, his weekly and monthly comic books enjoy their highest profile in many European countries, especially Italy, Sweden, Denmark, Norway, Finland and Iceland, but also Germany, the Netherlands, and Greece. Most of them are produced and published by the Italian branch of the Walt Disney Company in Italy (Disney Italy) and by Egmont in Denmark, Norway, Finland and Sweden. In Germany, the comics are published by Ehapa which has since become part of the Egmont empire. Donald comics have also been produced in The Netherlands and France. Donald also has been appeared in Japanese comics published by Kodansha and Tokyopop. According to the Inducks, which is a database about Disney comics worldwide, American, Italian and Danish stories have been reprinted in the following countries. In most of them, publications still continue: Australia, Austria, Argentina, Belgium, Brazil, Bulgaria, Canada, China, Colombia, Croatia, Czech Republic, Denmark (Faroe Islands), Egypt, Estonia, Finland, France, Germany, Greece, Guyana, Hungary, Iceland, India, Indonesia, Israel, Italy, Japan, Latvia, Lithuania, Mexico, the Netherlands, Norway, Philippines, Poland, Portugal, Romania, Russia, Saudi Arabia, Slovakia, Spain, Sweden, Thailand, Turkey, the United Kingdom, the United States, and the former Yugoslavia. Early development Though a 1931 Disney publication called Mickey Mouse Annual mentioned a character named Donald Duck, the character's first appearance in comic strip format was the 1934 Silly Symphony comic strip sequence based on the short The Wise Little Hen.[31] For the next few years, Donald made a few more appearances in Disney-themed strips, and by 1936, he had grown to be one of the main characters in the Silly Symphony strip. Ted Osborne was the primary writer of these strips, with Al Taliaferro as his artist. Osborne and Taliaferro also introduced several members of Donald's supporting cast, including his nephews, Huey, Dewey, and Louie. In 1937, an Italian publisher named Mondadori created the first Donald Duck story intended specifically for comic books. The eighteen-page story, written by Federico Pedrocchi, is the first to feature Donald as an adventurer rather than simply a comedic character. Fleetway in England also began publishing comic book stories featuring the duck. Developments under Taliaferro A daily Donald Duck comic strip drawn by Taliaferro and written by Bob Karp began running in the United States on February 2, 1938; the Sunday strip began the following year. Taliaferro and Karp created an even larger cast of characters for Donald's world. He got a new St. Bernard named Bolivar,[32] and his family grew to include cousin Gus Goose and grandmother Elvira Coot. Donald's new rival girlfriends were Donna and Daisy Duck. Taliaferro also gave Donald his very own automobile, a 1934 Belchfire Runabout, in a 1938 story, which is often nicknamed by Donald's "313" car plate in the comic incarnation of Donald's world. Developments under Barks Carl Barks (1901–2000) In 1942, Western Publishing began creating original comic book stories about Donald and other Disney characters. Bob Karp worked on the earliest of these, a story called "Donald Duck Finds Pirate Gold". The new publisher meant new illustrators, however, Carl Barks and Jack Hannah would later repeat the treasure hunting theme in many more stories. Barks soon took over the major development of the duck as both writer and illustrator. Under his pen, Donald became more adventurous, less temperamental and more eloquent. Pete was the only other major character from the Mickey Mouse comic strip to feature in Barks' new Donald Duck universe. Barks placed Donald in the city of Duckburg, creating a host of supporting players, including Neighbor Jones (1944), Uncle Scrooge McDuck (1947), Gladstone Gander (1948), the Beagle Boys (1951), Gyro Gearloose (1952), April, May and June (1953), Flintheart Glomgold (1956), Magica de Spell (1961), and John D. Rockerduck (1961). Many of Taliaferro's characters made the move to Barks' world as well, including Huey, Dewey, and Louie. Barks placed Donald in both domestic and adventure scenarios, and Uncle Scrooge became one of his favorite characters to pair up with Donald. Scrooge's profile increased, and by 1952, the character had a comic book of his own. At this point, Barks concentrated his major efforts on the Scrooge stories, and Donald's appearances became more focused on comedy or he was recast as Scrooge's helper, following his rich uncle around the globe. Further developments Dozens of writers continued to utilize Donald in their stories around the world. For example, the Disney Studio artists, who made comics directly for the European market. Two of them, Dick Kinney (1917–1985) and Al Hubbard (1915–1984) created Donald's cousin Fethry Duck. The American artists Vic Lockman and Tony Strobl (1915–1991), who were working directly for the American comic books, created Moby Duck. Strobl was one of the most productive Disney artists of all time and drew many stories which Barks wrote and sketched after his retirement. In the 1990s and early 2000s, these scripts were re-drawn in a style closer to Barks' own by Dutch artist Daan Jippes. Italian publisher Mondadori created many of the stories that were published throughout Europe. They also introduced numerous new characters who are today well-known in Europe. One example is Donald Duck's alter ego, a superhero called Paperinik in Italian, created in 1969 by Guido Martina (1906–1991) and Giovan Battista Carpi (1927–1999). Giorgio Cavazzano and Carlo Chendi created Umperio Bogarto, a detective whose name is an obvious parody on Humphrey Bogart. They also created O.K Quack, an extraterrestrial Duck who landed on earth in a spaceship in the shape of a coin. He, however, lost his spaceship and befriended Scrooge, and now is allowed to search through his money bin time after time, looking for his ship. Romano Scarpa (1927–2005), who was a very important and influential Italian Disney artist, created Brigitta McBridge, a female Duck who is madly in love with Scrooge. Her affections are never answered by him, though, but she keeps trying. Scarpa also came up with Dickie Duck, the granddaughter of Glittering Goldie (Scrooge's possible love interest from his days in the Klondike) and Kildare Coot, a nephew of Grandma Duck. Italian artist Corrado Mastantuono created Bum Bum Ghigno, a cynical, grumpy and not too good-looking Duck who teams up with Donald and Gyro a lot. The American artist William Van Horn also introduced a new character: Rumpus McFowl, an old and rather corpulent Duck with a giant appetite and laziness, who is first said to be a cousin of Scrooge. Only later, Scrooge reveals to his nephews Rumpus is actually his half-brother. Later, Rumpus also finds out. Working for the Danish editor Egmont, artist Daniel Branca (1951–2005) and scriptwriters Paul Halas and Charlie Martin created Sonny Seagull, an orphan who befriends Huey, Dewey and Louie, and his rival, Mr. Phelps. One of the most productive Duck artists used to be Victor Arriagada Rios, (deceased 2012) better known under the name Vicar. He had his own studio where he and his assistants drew the stories sent in by Egmont. With writer/editors Stefan and Unn Printz-Påhlson, Vicar created the character Oona, a prehistoric duck princess who traveled to modern Duckburg by using Gyro's time machine. She stayed and is still seen in occasional modern stories. The best known Duck artist of this time is American Don Rosa. He started doing Disney comics in 1987 for the American publisher Gladstone. He later worked briefly for the Dutch editors but moved to work directly for Egmont soon afterwards. His stories contain many direct references to stories by Carl Barks, and he also wrote and illustrated a 12-part series of stories about the life of Scrooge McDuck, which won him two Eisner Awards. Other important artists who have worked with Donald are Freddy Milton and Daan Jippes, who made 18 ten-pagers which experts claim, were very difficult to separate from Barks' own work from the late 1940s. Japanese artist Shiro Amano worked with Donald on the graphic novel Kingdom Hearts based on the Disney-Square Enix video game. Donald Duck has a slightly different character abroad.[citation needed][how?] Nordic countries Donald Duck is known in Nordic countries as Kalle Anka in Sweden,[33] Anders And in Denmark, Andrés Önd in Iceland, Donald Duck in Norway,[34] and Aku Ankka in Finland.[33] In the mid-1930s, Robert S. Hartman, a German who served as a representative of Walt Disney, visited Sweden to supervise the merchandise distribution of Sagokonst (The Art of Fables). Hartman found a studio called L'Ateljé Dekoratör, which produced illustrated cards that were published by Sagokonst. Since the Disney characters on the cards appeared to be exactly 'on-model', Hartman asked the studio to create a local version of the English-language Mickey Mouse Weekly. In 1937 L'Ateljé Dekoratör began publishing Musse Pigg Tidningen (Mickey Mouse Magazine), which had high production values and spanned 23 issues; most of the magazine's content came from local producers, while some material consisted of reprints from Mickey Mouse Weekly. The comic anthology ended in 1938. Hartman helped Disney establish offices in all Nordic countries before he left Disney in 1941. Donald became the most successful of the Disney characters in the Nordic countries,[33] and Nordic peoples recognise him better than Mickey Mouse.[citation needed] Kalle Anka & C:o, Donald's first dedicated Swedish anthology, started in September 1948. In 2001 the Finnish Post Office issued a stamp set to commemorate the 50th anniversary of Donald's presence in Finland. By 2005 around one out of every four Norwegians read the Norwegian edition Donald Duck & Co. per week, translating to around 1.3 million regular readers. During the same year, every week 434,000 Swedes read Kalle Anka & Co. By 2005 in Finland the Donald Duck anthology Aku Ankka sold 270,000 copies per issue. Tim Pilcher and Brad Books, authors of The Essential Guide to World Comics, described the Donald anthologies as "the Scandinavian equivalent of the UK's Beano or Dandy, a comic that generations have grown up with, from grandparents to grandchildren".[33] Hannu Raittila, an author, says that Finnish people recognize an aspect of themselves in Donald; Raittila cites that Donald attempts to retrieve himself from "all manner of unexpected and unreasonable scrapes using only his wits and the slim resources he can put his hands on, all of which meshes nicely with the popular image of Finland as driftwood in the crosscurrents of world politics". Finnish voters placing protest votes typically write "Donald Duck" as the candidate.[35] In Sweden voters often voted for Donald Duck or the Donald Duck Party as a nonexistent candidate until a 2006 change in voting laws, which prohibited voting for nonexistent candidates. In a twenty-year span, Donald won enough votes to be, in theory, Sweden's ninth-most popular political organization. In 1985, Donald received 291 votes in an election for the Parliament of Sweden.[36] By 1978, within Finland, there was a debate over the morality of Donald Duck. Matti Holopainen jokingly criticized Donald for living with Daisy while not being married to her, for not wearing trousers, and for, in the words of the Library Journal, being "too bourgeois".[37][38] Some observers from Finland from the same time period supported Donald, referring to him as a "genuine proletarian ... forced to sell his labor at slave rates to make a living". The Library Journal said it was revealed that, since 1950, Donald had secretly been married to Daisy.[39] An annual Christmas special in Norway, Denmark, Finland and Sweden is From All of Us to All of You, in Norway and Sweden with a title of Donald Duck and His Friends Celebrate Christmas. Segments include Ferdinand the Bull, a short with Chip 'n' Dale, a segment from Lady and the Tramp, a sneak preview of a coming Disney movie and concludes with Jiminy Cricket performing "When You Wish Upon a Star". To many people watching this special is a tradition as important as having a Christmas tree.[citation needed] Germany Donald Duck-themed comics sell an average of 250,000 copies each week in Germany, mostly published in the kids' weekly Micky Maus and the monthlies Donald Duck Special (for adults) and Lustiges Taschenbuch.[40] The Wall Street Journal called Donald Duck "The Jerry Lewis of Germany", a reference to American star Jerry Lewis' popularity in France.[40] Donald's dialogue in German comics tends to be more sophisticated and philosophical, he "quotes from German literature, speaks in grammatically complex sentences and is prone to philosophical musings, while the stories often take a more political tone than their American counterparts",[40] features especially associated with Erika Fuchs's German translations of the comics created by The Good Duck Artist Carl Barks. Christian Pfeiler – former president of D.O.N.A.L.D., a German acronym which stands for "German Organization for Non-commercial Followers of Pure Donaldism" – says Donald is appreciated in Germany because "almost everyone can identify with him. He has strengths and weaknesses; he lacks polish but is also very cultured and well-read."[40] It is through this everyman persona that Donald is able to voice philosophical truths about German society that appeal to both children and adults.[40] Donald's writers and illustrators Carl Barks, Don Rosa and Ub Iwerks are well-known in Germany and have their own fan clubs. Italy In Italy, new stories about Donald Duck (named Paolino Paperino) and Scrooge McDuck are hosted in the kids' weekly Topolino and the monthly Paperino. While Paperino is written by many authors, he still maintains several characteristics. He's mostly an everyman, but the fierce, harsh temper he has in the American comic appears to be diluted into a meek, weaker personality, prone to comical fits of rage that are mostly subdued by the realization of its impotence. His frustration at Gladstone's luck is comically enhanced: in the Italian comics, Donald is chronically unlucky, unable to do or get anything right, with Gladstone taking advantage of his superiority or taking genuine pity of his unlucky cousin and trying several plans to grant him some better luck, always failing. Donald as the Duck Avenger (Paperinik). However the constant search for an outlet to vent his frustration, led the Italian rendition of Donald Duck to seek his catharsis in several ways: in the sixties, vexed by Scrooge's antics and Gladstone's luck, he reinvented himself as Paperinik, the Duck Avenger (as he came to be known outside Italy), an anti-hero at first, a self-assured, well-adjusted, brilliant hero in later stories, no longer bound by the self-doubt and the mockery Donald is constantly subjected.[41] Duck Avenger is referred to the character Dorellik (parody of Diabolik) performed by Johnny Dorelli (Italian actor and crooner) in the Anglo-Italian movie Arriva Dorellik (How To Kill 400 Duponts). Further along the years, he fashioned for himself the additional identities of QQ7, a bumbling secret agent protecting Scrooge's riches[42] and DoubleDuck, a more confident and suave secret agent, in the mold of James Bond, a more equilibrate mold of the heroic Duck Avenger and the tricky QQ7, often accompanied by the beautiful spy Kay K.[43] Donald's "secret identies" are hosted in the main Topolino comics, but also in several themed comics, like the now-defunct Paperinik, PKNA, PK^2 and the current Paperinik AppGrade, the latter hosting reprints and new stories as well. Having several full lives to live does not hamper Donald's ability to live adventures on his own: he still lives adventures with his uncle Scrooge and his nephews (often acting as a reluctant bumbler, a ballast to the enthusiasm of his nephews and the wanderlust of his uncle), and he lived a star-crossed love story with a princess from another planet, Reginella.[44] Despite Reginella leaving a deep trace in Donald's heart, he is still depicted as extremely faithful to Daisy, with a small hiccup deriving by Daisy Duck having a secret identity on her own (Paperinika), with Paperinik and Paperinika, both unaware of their secret identities, cultivating a permanent status of belligerent tension. He also keeps a cheerful rivalry with his neighbour Bum Bum Ghigno, more a bumbler and a nuisance than he is, but still a good person at heart. The Italian rendition of Donald Duck seldom, if ever, goes by his first name, having everyone, including his nephews, Daisy and Uncle Scrooge, address him as Paperino (his Italian surname). He also appears in the Topolino comics depicting his childhood, called Paperino Paperotto (English: Donald Duckling), which were first produced in Italy in 1998. He lives in the fictional town, Quack Town with Grandma Duck and Billy Goat. Disney theme parks Donald's house boat at Mickey's Toontown, Disneyland Donald Duck has played a major role in many Disney theme parks over the years. He has actually been seen in more attractions and shows at the parks than Mickey Mouse has. He has appeared over the years in such attractions as Animagique, Mickey Mouse Revue, Mickey's PhilharMagic, Disneyland: The First 50 Magical Years, Gran Fiesta Tour Starring the Three Caballeros and the updated version of "It's a Small World". He also is seen in the parks as a meet-and-greet character.... Beyond Disney Donald's footprints at the Grauman's Chinese Theatre in Hollywood. The prints were made during the celebration of Donald's 50th birthday. Donald is the only significant film and television cartoon character to appear as a mascot for a major American university: a licensing agreement between Disney and the University of Oregon allows the school's sports teams to use Donald's image as its "Fighting Duck" mascot. In 1984, Donald Duck was named an honorary alumnus of the University of Oregon during his 50th birthday celebration. During a visit to the Eugene Airport, 3,000 to 4,000 fans gathered for the presentation of an academic cap and gown to Donald. Thousands of area residents signed a congratulatory scroll for Donald, and that document is now part of Disney's corporate archives. In the 1940s, Donald was adopted as the mascot of Brazilian sports club Botafogo after Argentinean cartoonist Lorenzo Mollas, who was working in Brazil at the time, drew him with the club's soccer uniform. Mollas chose Donald because he complains and fights for his rights, like the club's managers at those years, and also because, being a duck, he does not lose his elegance while moving in the water (an allusion to rowing). He was eventually replaced so that the club would not have to pay royalties to Disney (Botafogo's current official mascot is Manequinho, a boy who represents the Manneken Pis statue in front of the club's head office), but has since retained the status of unofficial mascot. Donald's name and image are used on numerous commercial products, one example being Donald Duck brand orange juice, introduced by Citrus World in 1940. Donald Duck was temporarily listed as a "hired" employee in the database of the United States Department of Housing and Urban Development as late as 1978. Given a $99,999 salary – more than double the $47,500 take federal civil servants were legally limited to be paid at the time – the name was unchallenged by a computer intended to catch government payroll fraud. Picked as one of thirty fictitious names by the Government Accounting Office, the use of it was a test to see if the payroll system of the HUD could be manipulated to defraud the government.[45] Donald Duck's head and neck, wearing a radio headset and wrapped in earphone wires with an expression of pain on his face and with crossed crutches below, was the nose art on Lieutenant Ted W. Lawson's B-25 Mitchell bomber, the Ruptured Duck, on the famous Doolittle Raid on Tokyo in 1942. In the 1950s, an early Mad Magazine parody of Mickey Mouse (called "Mickey Rodent", written by "Walt Dizzy") featured "Darnold Duck", whose quacky voice had to be "translated" for the readers, and who was shamed into finally wearing pants. Although Donald's military service during his wartime cartoons has mostly been in the U.S. Army (and to a lesser extent in the U.S. Navy in DuckTales), Walt Disney authorized Donald to be used as a mascot for the U.S. Coast Guard. The Coast Guard image shows a fierce-looking Donald Duck dressed in a pirate's outfit, appearing vigilant against any potential threats to the coastal regions in the United States. This image is often used on Coast Guard bases and Coast Guard cutters. Donald Duck is referred to in the song "The Village Green Preservation Society" by The Kinks: "We are the Village Green Preservation Society/ God save Donald Duck, vaudeville, and variety..." The reference is ironical, as the singer is lamenting the disappearance of perceived traditional English cultural artifacts. Donald Duck makes a cameo appearance in the cartoon sequence in 200 Motels (1971). During the late 1970s, Donald had his first and only disco song named 'Macho Duck', available as part of the Mickey Mouse Disco children's album. In Sweden, a comic book artist named Charlie Christensen got into a legal dispute with Disney when his creation Arne Anka looked similar to Donald Duck (albeit Arne is a pessimistic drunkard). However, Charlie made a mockery of the legal action and staged a fake death for his character, which then had plastic surgery performed and reappeared as Arne X with a more corvine beak. He later purchased a strap-on duck beak from a novelty gift shop, pointing out that "If Disney is planning to give me any legal action; all I have to do is remove my fake beak." Donald Duck is a constant source of irritation for the eponymous hero of Donald Duk (1991), a coming-of-age novel by Frank Chin set in San Francisco's Chinatown. Donald Duck's Star on Hollywood Walk of Fame. In 1991, the Disney Corporation sued the Israeli caricaturist Dudu Geva for copyright infringement, claiming his character "Donald Dach" in the story "Moby Duck" was a rip-off of Donald.[46] The Courts found in their favor and forced Geva to pay for the legal expenses and remove his book from the shelves. More mildly, the character Howard the Duck's original design was modified to include pants allegedly due to pressure from Disney. [47] In 2005, Donald received his own star on the Hollywood Walk of Fame at 6840 Hollywood Blvd[48] joining other fictional characters such as Mickey Mouse, Bugs Bunny, Woody Woodpecker, The Simpsons, Winnie the Pooh, Kermit the Frog, Big Bird, Godzilla and Snow White. Donald's fame has led Disney to license the character for a number of video games, such as the Kingdom Hearts series, where Donald is the court magician of Disney Castle. He accompanies Goofy and a young boy named Sora on a quest to find King Mickey Mouse, defeat the Heartless and Nobodies, and put an end to the evil Xehanort and Organization XIII.[49] He is voiced by Tony Anselmo in the English version and Kōichi Yamadera in the Japanese version. Italian power metal band Trick or Treat have a song called "Like Donald Duck" in their debut album "Evil Needs Candy Too" (2006).[50][51] In Italy, the city of Prato in Tuscany has a locale named Paperino, or Little Duck, after Donald Duck's Italian moniker. Asteroid 12410 was named after Donald Duck.[52] In the 2017 US Presidential election, according to Donna Brazile, DNC chair, who quotes Charlie Baker, the use of a protester in a Donald Duck costume was approved by Hillary Clinton's campaign to bring attention to Donald Trumps' "ducking the release of his taxes"." (wikipedia.org) "Box (plural: boxes) describes a variety of containers and receptacles for permanent use as storage, or for temporary use, often for transporting contents. Boxes may be made of durable materials such as wood or metal, or of corrugated fiberboard, paperboard, or other non-durable materials. The size may vary from very small (e.g., a matchbox) to the size of a large appliance. A corrugated box is a very common shipping container. When no specific shape is described, a box of rectangular cross-section with all sides flat may be expected, but a box may have a horizontal cross section that is square, elongated, round or oval; sloped or domed top surfaces, or vertical edges. They are not always made up of squares. Decorative or storage boxes may be opened by raising, pulling, sliding or removing the lid, which may be hinged or fastened by a catch, clasp, or lock.... Packaging box[edit] An empty box made of corrugated fiberboard A corrugated folding box for pizza A juice box with soju Several types of boxes are used in packaging and storage. A corrugated box is a shipping container or product container made of corrugated fiberboard.[1] These are most commonly used to transport and warehouse products during distribution, and are rated according to the strength of the material or the capacity of the finished box. They are also used as product packaging or POP displays. A folding carton (sometimes called a box) is fabricated from paperboard. The paperboard is printed (if necessary), die-cut and scored to form a blank. These are transported and stored flat, and erected at the point of filling. These are used to package a wide range of goods, intended either for one-time (non-resealable) use or as a storage box for the remaining goods. A type of the folding carton is the gift box, used for birthday or Christmas gifts and often wrapped in decorative wrapping paper; this type is usually of much lighter construction than a similar-sized paperboard box meant for packaging and distribution. A cardboard box is often used during relocation to organize and efficiently move objects. They are also used for short term or long term storage. A "set up" box (or rigid paperboard box) is made of stiffer paperboard, permanently glued together with paper skins that can be printed or colored. Unlike folding cartons, these are assembled at the point of manufacture and transported already "set-up". Set-up boxes are more expensive than folding boxes and are typically used for protecting high-value items such as cosmetics, watches or smaller consumer electronics. A crate is a heavy duty shipping container originally made of wood. Crates are distinct from wooden boxes, also used as heavy-duty shipping containers. For a wooden container to be a crate, all six of its sides must be put in place to result in the rated strength of the container. The strength of a wooden box, on the other hand, is rated based on the weight it can carry before the top or opening is installed. A variant of the wooden box is the wooden wine box or wine crate, originally used for shipping and storing expensive wines, but nowadays for decorative or promotional purposes or as a storage box instead of for protection during shipping. A bulk box is a large box often used in industrial environments. It is sized to fit well on a pallet. Depending on locale and specific usage, the terms carton and box are sometimes used interchangeably. The invention of large steel intermodal shipping containers has helped advance the globalization of commerce.[2][3] Storage boxes[edit] See also: Decorative boxes Art Nouveau powder box, circa 1902, made of glass and parcel-gilt silver, in the Cooper Hewitt, Smithsonian Design Museum (New York City) Cake boxes Boxes for storing various items in can often be very decorative, as they are intended for permanent use and sometimes are put on display in certain locations. The following are some types of storage boxes : A jewelry (AmE) or jewellery (BrE) box, is a box for trinkets or jewels. It can take a very modest form with paper covering and lining, covered in leather and lined with satin, or be larger and more highly decorated. A humidor is a special box for storing cigars at the proper humidity, by means of absorbent materials that retain and moderate moisture coming from the cigars. Powered boxes can also maintain the right temperature.[citation needed] A "strong box" or safe, is a secure lockable box for storing money or other valuable items. The term "strong box" is sometimes used for safes that are no longer portable boxes but are installed in a wall or floor for increased security. A toolbox is used for carrying tools of various kinds. The term implies a container meant for portability rather than just storage, for instance with hinged lids, clasps or locks, reinforced corners, and handles. Toolboxes are usually very sturdy, but unlike a shipping box containing dunnage, are not expected to fully protect their contents if the box is inverted or upended. The common storage box for tools, instruments, glassware, artworks, etc. is a sturdy box made to be longer-lasting and better-finished than a shipping box or crate. For instance, a box might be a rigid paperboard box instead of a corrugated box. Or it could be a wooden box with a sanded surface and mitered corners instead of a crude crate construction. A storage box may or may not have dunnage or cushions that protect the contents if the box is upended or shaken, and usually does not have hinges, latches or locks, but simply a cover. Boxwood gets its name from its superior properties for manufacturing this type of box, although those properties are equally useful when making a decorative box.  A box file is used commonly in offices for storing papers and smaller files.[4] Electrical boxes[edit] In electrical terminology, a "box" is used to contain and protect connections, thus: Pattress, a box used to hold electrical switches and receptacles Junction box, a fixed container for joining electrical connections, frequently installed in walls and containing electrical outlets. Fuse box, holds electrical fuses or circuit breakers Postal service boxes[edit] Pillar box of 1856, at the West Gate, Warwick, England Post box (British English and others, also written postbox), or mailbox (North American English and others) is a physical box used to collect mail that is to be sent to a destination. Variants of post boxes for outgoing mail include: Lamp box Ludlow wall box Pillar box Wall box Boxes, where postal workers deposit incoming mail for the recipient, include: Letter box (in the US usually called mailbox), positioned near or on the mail recipient's home or place of work. Post office box, (often abbreviated P.O. box or PO box), a box rented by the mail recipient to be an independent postal address, located in a post office or in the premises of a company offering such facilities. Self-service boxes are unlocked by the recipient, otherwise, a postal clerk retrieves the mail. A relay box is similar to a post or mailbox, but totally locked; post office trucks deposit mail that is then retrieved and delivered by pedestrian mail carriers. In the United States, they are painted differently from collection boxes." (wikipedia.org)
  • Country/Region of Manufacture: United States
  • Brand: The Walt Disney Company
  • Character/Story/Theme: Mickey Mouse

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